LIVELY ONES SURF DRUMS RARE ORIGNAL '62 DEL-FI MONO LP

$

38

    
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·       THE LIVELY ONES – SURF DRUMS – ORIGINAL 1963 DEL-FI RECORDS MONO LP DFLP-1231

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK DEL-FI LABEL WITH A TURQUOISE AND GOLD BAND ALONG THE EDGE OF THE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The second Lively Ones long-player, Surf Drums (1963), was compiled in much the same way their debut had been created, comparable to the vast majority of rush-released platters of the era. Del-Fi Records owner Bob Keane collected a few of the band's previous singles alongside a variety of already established covers, many of which were concurrent hits for other artists. The instrumental quintet had gained a sizable name for themselves in and around the Orange County, CA, scene, scoring regionally on covers of the Ventures' dynamic "Spudnik" and the Fireballs' effervescent "Rik-A-Tic." The album opens up with a remake of Duane Eddy's mid-tempo, ambling "40 Miles Bad Road." The track is the perfect vehicle for Jim Masoner (guitar) and Joel Willenbring (sax), whose collaborations became an integral ingredient not only in the Lively Ones' sound, but helped to separate them from the plethora of similar units. Providing support for the soloists and rounding out the personnel are solid contributions from Ed Chiaverini (guitar), Ron Griffith (bass), and Tim Fitzpatrick (drums). Despite the dearth of original compositions, the aggregate muscle through some choice overhauls of genre favorites, most notably the soulful strut of the Rockin' Rebels' "Wild Weekend," the high-energy yakety sax on the Belairs' "Mr. Moto" and the analogous rearrangement of "Tuff Surf," an R&B entry from the relatively obscure Nobel Watts.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+ (VG+)

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 8 and 10 inches  / 20 to 22 centimeters) (it appears that the previous owner attempted to touch up the split seam with a like-colored (turquoise) marker; the repair is reasonably delicate.

-        Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Minor writing (annotation) noted near the track listing on back panel

-        Back cover has a small peel-off mark, probably from the careless removal of the price sticker. (less than 1 square inch in size)

-         Cover shows some light yellowing on back side, apparently from aging.

-         Back cover has a small white sticker , which may be possible to remove with a little effort (we did not attempt to)

-         Cover has some visible fraying/tattering on the top seam

-         Cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker) (barely visible)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No stamps

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No bar codes

-        No RIAA stamps or stickers. 

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