LINK WRAY S/T 1971 WHITE LABEL PROMO LP NEAR MINT CONDITION GARAGE
$
42
$ 42
Sold For
Jun 24, 2016
Sold Date
Jun 17, 2016
Start Date
$ 20
Start price
8
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
LINK WRAY~S/T 1971 WHITE LABEL PROMO LP~NEAR MINT CONDITION~TOP COPY~GARAGE
Product Description
Link Wray ?? Link Wray
Polydor ?? 24-4064
VERY RARE WHITE LABEL PROMO LP FROM 1971 - 45 YEARS AGO!
DIE-CUT COVER IS IN EXCELLENT CONDITION WITH A DISCOUNT PRICE STICKER ON THE FRONT.
VINYL IS IN NEAR MINT CONDITION AND LOOKS VIRTUALLY UNPLAYED!
INCLUDES THE ORIGINAL POLYDOR INNER SLEEVE, TOO.
Link Wray was one of rock & roll's first bone fide guitar heroes, and his speaker-shredding buzzy chords were as distinctive a sound as anyone conjured up in rock's early years. So Link's old fans were thrown for a loop when, in 1971, the man made a comeback after several years along the margins with a self-titled album that set aside his big slabs of fretboard fuzz in favor of a loosely tight fusion of country, blues, and roughshod folk-rock. Recorded in a homemade three-track studio fashioned in an abandoned chicken coop on Wray's Maryland farm, Link Wray lacks the muscle of the man's legendary instrumental sides, with acoustic guitar, piano, and mandolin anchoring these sides as often as Link's electric, and there's a down-home mood here that lacks the switchblade intensity of Wray's most famous music. But the rough passion of "Rumble" and "Rawhide" certainly carries through here, albeit in a different form; the plaintive howl of Wray's vocals isn't always pretty, but it certainly communicates (Wray lost a lung to TB in 1953), the best songs speak eloquently of the hard facts of Wray's early life as a poor Shawnee child in the Deep South, and there's a humble back-porch stomp in this music that's heartfelt and immediate. (And Wray does serve up some primal hoodoo guitar on the closing cut, "Tail Dragger.") Link Wray didn't go over big with the man's old fans and failed to win him many new ones, but it's an honest and passionate piece of music that's a fascinating detour from the music that has largely defined his career, and has aged better than the vast majority of the country-rock product of the early '70s. Link Wray was later reissued as part of the collections Guitar Preacher: The Polydor Years and Wray's Three Track Shack.
Tracklist
Show Credits
A1 La De Da 4:03
A2 Take Me Home Jesus 3:20
A3 Juke Box Mama 4:27
A4 Rise And Fall Of Jimmy Stokes 4:02
A5 Fallin' Rain 3:40
B1 Fire And Brimstone 4:20
B2 Ice People 3:04
B3 God Out West 3:53
B4 Crowbar 4:47
B5 Black River Swamp 3:57
B6 Tail Dragger 4:27
Recorded At ? Wray's Shack Three Track
Mastered At ? Sterling Sound
Credits
Backing Vocals ? Billy, Doug, Steve
Drums, Percussion ? Doug Wray, Steve Verroca
Lead Vocals, Dobro, Bass, Guitar ? Link Wray
Mandolin, Piano ? Bobby Howard
Mixed By [Re-mixing], Engineer ? Chuck Irwin
Piano, Organ ? Billy Hodges
Producer ? Ray Vernon, Steve Verroca
Producer [Associate Producer] ? Bob Feldman
Recorded By, Engineer ? Vernon Wray
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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