LINK WRAY Link Wray LP POLYDOR 1971 US original+gatefold+stereo 24-4064
£
28
$
37
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Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 1 KG (1 or 2 LPs).
The shipping cost from Italy to UK and Europe for 1 or 2 albums
[it is a question of weight, we have to stay under 1kg]
is £10 via priority letter and £13 with registered letter, with a sturdy and well conceived box.
For 3-5 albums [from 1kg to 2kg] of course with registered letter, the shipping cost is £21.
Usually, if the price of the item, or the total amount of the records is from & over £22, we ship only with registered letter.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased the price for the international shipment.
We have done our best to absorb any handling fees in order to keep all international shipping rates as low as we can
WE ARE POSTING EVERYWHERE IN THE WORLD.
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ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM
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LINK WRAY
with BILLY HODGES, BOBBY HOWARD, DOUG WRAY, STEVE VERROCA,
Link Wray may never get into the Rock & Roll Hall of Fame, but his contribution to the language
of rockin' guitar would still be a major one, even if he had never walked into another studio
after cutting "Rumble." Quite simply, Link Wray invented the power chord, the major
modus operandi of modern rock guitarists. Listen to any of the tracks he recorded
between that landmark instrumental in 1958 through his Swan recordings in the early '60s
and you'll hear the blueprints for heavy metal, thrash, you name it. Though rock historians
always like to draw a nice, clean line between the distorted electric guitar work that
fuels early blues records to the late-'60s Hendrix-Clapton-Beck-Page-Townshend mob,
with no stops in between, a quick spin of any of the sides Wray recorded during
his golden decade punches holes in that theory right quick
"LINK WRAY"
1971 LP POLYDOR RECORDS 24-4064 STEREO
PRINTED I U.S.A. ORIGINAL PRESSING
GATEFOLD COVER (Unipak Style) WITH COMPANY INNER
This version: Comes in a Gatefold cover with the front side specially cut following Link Wray's profile.
Red Polydor label has sort of a "deep groove" with the inner level lower than the outer.
This version has catalog # on right side of label
Barcode and Other Identifiers
Barcode: none
LABEL: POLYDOR - RED LABEL - BLACK TEXT
Catalog on cover: (front & spine) 24-4064
(rear) 24-4064 (2425 067)
Catalog on labels: [24-4064 (2425 067) (POLP 80197)] [24-4064 (2425 067) (POLP 80198)]
Matrix / Runout, Side A
(Etched): POLP 80197-1C ?15895 (l) LH (Stamped): MR(into a circle, Monarch Pressing) STERLING
Matrix / Runout, Side B
(Etched): POLP 80198-2C-REPL ?15895-X (Stamped): MR(into a circle, Monarch Pressing) STERLING
On labels: rim text reads "Manufactured by Polydor Incorporated, New York, N.Y.""
On back cover: Produced by: Steve Verroca & Ray Vernon in association with Bob Feldman
Recorded at Wray's Shach Three Track, in Accokeek Maryland
Printed in U.S.A.
from my records collection
tracklisting
Side A: LA DE DA - TAKE ME HOME JESUS - JUKE BOX MAMA
RISE AND FALL OF JIMMY STOKES - FALLIN' RAIN
Side B: FIRE AND BRIMSTONE - ICE PEOPLE - GOD OUT WEST
CROWBAR - BLACK RIVER SWAMP - TAIL DRAGGER
grading
RECORD STRONG VG+ but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
Link's old fans were thrown for a loop when, in 1971, the man made a comeback after
several years along the margins with a self-titled album that set aside his big slabs
of fretboard fuzz in favor of a loosely tight fusion of country, blues, and roughshod folk-rock.
Recorded in a homemade three-track studio fashioned in an abandoned chicken coop
on Wray's Maryland farm, Link Wray lacks the muscle of the man's legendary
instrumental sides, with acoustic guitar, piano, and mandolin anchoring these sides
as often as Link's electric, and there's a down-home mood here that lacks
the switchblade intensity of Wray's most famous music. But the rough passion
of "Rumble" and "Rawhide" certainly carries through here, albeit in a different form...(AllMusic)
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