Keith Jarrett: Budapest Concert - 2x LP 180g Vinyl
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Description
Keith Jarrett: Budapest Concert - 2x LP 180g Vinyl
The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert. FEATURED ARTISTS Keith Jarrett Piano LISTEN TO MUSIC SAMPLES A1 Part I A2 Part II B1 Part III B2 Part IV B3 Part V B4 Part VI C1 Part VII C2 Part VIII C3 Part IX C4 Part X D1 Part XI D2 Part XII D3 It's A Lonesome Old Town D4 Answer Me TRACKLIST Budapest Parts I-XII A1 Part I 14:42A2 Part II 6:54B1 Part III 8:10B2 Part IV 7:53B3 Part V 5:13B4 Part VI 3:52C1 Part VII 5:45C2 Part VIII 5:35C3 Part IX 2:42C4 Part X 8:40D1 Part XI 5:54D2 Part XII - Blues 4:04Encores D3 It's A Lonesome, Old Town Written-By – Charles Kisco, Harry Tobias 8:01D4 Answer Me, My Love Written-By – Fred Rauch, Gerhard Winkler 4:55 BACKGROUND Budapest Concert is the second complete show to be issued from Keith Jarrett’s 2016 European tour, recorded two weeks earlier than the widely-acclaimed concert released as Munich 2016. The new double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the concert as akin to a homecoming – also with regard to his lifelong affection for Bartók, as he explained to the audience - and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, his later performances, particularly since the Radiance album, have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Reviewing Munich 2016 in London’s Financial Times, Mike Hobart suggested that “the early recitals mixed classical musings, populist references and jazz spontaneity into extended streams of invention, but later recitals separated the strands.” If the process of improvisation was once the subject of the concerts, it could be said that Jarrett’s 21st century solo concerts are less about seeking than finding. There is nothing tentative about the music making on display here: its sense of assurance is among its striking characteristics - whether a ballad, a polyrhythmic study, a tone poem or an essay on the blues is being shaped in the moment. “His magnetism for the audience must come from his polygenre attitude,” wrote Gábor Bóta on Hungary’s Népsava news site. “Jarrett consumes all genres, from light to serious, and makes them his own. Since the entire performance is improvised, we witness the music being birthed right in front of us…One feels that he just sniffs the air, catches a moment’s feeling, clicks his fingers, squints his eyes and there we have it: the right notes, the right melodies, a completely unique performance.” Creative energy is also applied to more familiar songs given as encores, and “It’s A Lonesome Old Town” and a particularly rhapsodic “Answer Me” are transformed in Budapest. Lately, Keith Jarrett has been saying that he views Budapest Concert as his current “gold standard”, the reference work against which other solo recordings might be measured. Whether heard as a late high point in an unprecedented musical journey or enjoyed entirely on its own terms, it is a remarkable achievement.Keith Jarrett: Budapest Concert - 2x LP 180g Vinyl
The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert.
FEATURED ARTISTS
Keith Jarrett PianoLISTEN TO MUSIC SAMPLES
A1 Part I
A2 Part II
B1 Part III
B2 Part IV
B3 Part V
B4 Part VI
C1 Part VII
C2 Part VIII
C3 Part IX
C4 Part X
D1 Part XI
D2 Part XII
D3 It's A Lonesome Old Town
D4 Answer Me
TRACKLIST
Budapest Parts I-XII
A1 Part I 14:42
A2 Part II 6:54
B1 Part III 8:10
B2 Part IV 7:53
B3 Part V 5:13
B4 Part VI 3:52
C1 Part VII 5:45
C2 Part VIII 5:35
C3 Part IX 2:42
C4 Part X 8:40
D1 Part XI 5:54
D2 Part XII - Blues 4:04
Encores
D3 It's A Lonesome, Old Town Written-By – Charles Kisco, Harry Tobias 8:01
D4 Answer Me, My Love Written-By – Fred Rauch, Gerhard Winkler 4:55
BACKGROUND
Budapest Concert is the second complete show to be issued from Keith Jarrett’s 2016 European tour, recorded two weeks earlier than the widely-acclaimed concert released as Munich 2016. The new double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the concert as akin to a homecoming – also with regard to his lifelong affection for Bartók, as he explained to the audience - and the context inspired much creative improvisation.
Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, his later performances, particularly since the Radiance album, have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Reviewing Munich 2016 in London’s Financial Times, Mike Hobart suggested that “the early recitals mixed classical musings, populist references and jazz spontaneity into extended streams of invention, but later recitals separated the strands.” If the process of improvisation was once the subject of the concerts, it could be said that Jarrett’s 21st century solo concerts are less about seeking than finding. There is nothing tentative about the music making on display here: its sense of assurance is among its striking characteristics - whether a ballad, a polyrhythmic study, a tone poem or an essay on the blues is being shaped in the moment.
“His magnetism for the audience must come from his polygenre attitude,” wrote Gábor Bóta on Hungary’s Népsava news site. “Jarrett consumes all genres, from light to serious, and makes them his own. Since the entire performance is improvised, we witness the music being birthed right in front of us…One feels that he just sniffs the air, catches a moment’s feeling, clicks his fingers, squints his eyes and there we have it: the right notes, the right melodies, a completely unique performance.”
Creative energy is also applied to more familiar songs given as encores, and “It’s A Lonesome Old Town” and a particularly rhapsodic “Answer Me” are transformed in Budapest.
Lately, Keith Jarrett has been saying that he views Budapest Concert as his current “gold standard”, the reference work against which other solo recordings might be measured. Whether heard as a late high point in an unprecedented musical journey or enjoyed entirely on its own terms, it is a remarkable achievement.
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