KAREN DALTON w/FRED NEIL IT'S SO HARD TO TELL RARE ORIGINAL '69 CAPITOL LP
$
222
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· KAREN DALTON - IT IS SO HARD TO TELL WHO IS GOING TO LOVE YOU THE BEST - ULTRA-RARE ORIGINAL 1969 CAPITOL RECORDS STEREO LP ST-271
· ORIGINAL U.S. PRESSING
· WHILE NOT CREDITED ON THE ALBUM, THIS ALBUM FEATURES MAJOR INVOLVEMENT BY FRED NEIL, WHO – TO HIS CREDIT - LURED KAREN DALTON INTO THE STUDIO (SHE REFUSED TO RECORD A FULL SESSION WORTH OF MATERIAL, SO FRED NEIL HAD TO TRICK HER INTO THE STUDIO AND HAD THE SESSION TAPED SURREPTITIOUSLY!!!)
· ORIGINAL LIME GREEN CAPITOL LABEL.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Some find Karen Dalton's voice difficult to listen to (not me, Richie -- for me, she is a sheer delight, op. ed.) , and despite the Billie Holiday comparisons, it is rougher going than Lady Day. But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre. Her debut album has a muted folk-rock feel reminiscent of Fred Neil's arrangements in the mid-'60s, unsurprising since Neil's Capitol-era producer, Nick Venet, produced this disc too, and since Dalton, a friend of Neil, covered a couple of Neil songs here ("Little Bit of Rain," "Blues on the Ceiling"). Although clocking in at a mere ten songs, it covers a lot of ground, from Tim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones-penned soul tune "I Love You More Than Words Can Say." The record is interesting and well done, but would have been far more significant if it had come out five years or so earlier. By 1969 such singers were expected to write much of their own material (Dalton wrote none), and to embrace rock instrumentation less tentatively.
(EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Visible shelf wear noted on the seams
- Cover has some fraying/wear along the spine (nothing significant)
- Cover has two corners slightly worn (nothing significant)
- The cover has a few tiny scratch marks on the front side (nothing significant)
- Cover has a TINY, barely visible peel-off mark, probably from the careless removal of the price sticker (less than 1/16th square inch in size)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams (yet, but the spine is close)
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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