Julie Hamilton The Ballad Of Fanny Hill Part One RARE LP + FAX Insert Cheesecake
  $   100

 


$ 100 Sold For
Apr 5, 2023 Sold Date
Jan 12, 2023 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Julie Hamilton : The Ballad of Fanny Hill : Part 1 An Original Musical Monodrama Based Upon The Book Memoirs Of A Woman Of Pleasure 12" Vinyl Record Album
Album Description: This rare album cover features a voluptuous nude brunette stitching in bed. The image has been altered for listing, the actual album cover does not have the multi-colored checkered box over her body. The vinyl record is in excellent to near mint condition. The front cover is in excellent condition, minor surface/corner wear, slight crease at top right corner, no seam splits. The back cover has a few discoloration spots. ALSO included is the original illustrated insert of all the albums and books in Fax Records adult series. Please see pictures. Check out our other listings for a wide variety of vinyl records and CDs. We ship worldwide in secure, padded packaging. Please let us know if you have any questions for a prompt reply. Tracklist and additional album information below.
Tracklist:   Side One
1. Truth Naked Truth
2. Alive Alive, OH!
3. Laden With Maiden
4. Lewd Lascivious Phoebe
   Side Two
5. Charles
6. Revenge
7. Emily's Tale
Memoirs Of A Woman Of Pleasure, also known as Fanny Hill, is a novel by John Cleland. Written in 1748 while Cleland was in debtor's prison in London, it is considered the first modern "erotic novel", and has become a byword for the battle of censorship of erotica. Initially, there was no governmental reaction to the novel, and it was only in November 1749, a year after the first installment was published, that Cleland and his publisher were arrested and charged with "corrupting the King's subjects." In court, Cleland renounced the novel and it was officially withdrawn. However, as the book became popular, pirate editions appeared. In particular, an episode was interpolated into the book depicting homosexuality between men, which Fanny observes through a chink in the wall. Cleland published an expurgated version of the book in March 1750, but was nevertheless prosecuted for that, too, although the charges were subsequently dropped. Some historians, such as J. H. Plumb, have hypothesized that the prosecution was actually caused by the pirate edition containing the "sodomy" scene. In the 19th century, copies of the book were sold underground and the book eventually made its way to the United States where, in 1821, it was banned for obscenity. In 1963, G. B. Putnam published the book under the title John Cleland's Memoirs Of A Woman Of Pleasure which also was immediately banned for obscenity. The publisher challenged the ban in court. In a landmark decision in 1966, the United States Supreme Court ruled in Memoirs v. Massachusetts that the banned novel did not meet the Roth standard for obscenity. Erica Jong's 1980 novel Fanny purports to tell the story from Fanny's point of view, with Cleland as a character she complains fictionalized her life. The book concerns Fanny who begins as a poor country girl forced by poverty to leave her village home and go to town. There, she is tricked into working in a brothel, but before losing her virginity there, escapes with a man named Charles with whom she has fallen in love. After several months of living together, Charles is sent out of the country unexpectedly by his father, and Fanny is forced to take up a succession of new lovers to survive. What is remarkable and innovative about the novel is that Cleland's writing style is witty, learned, and full of Classical asides. Also, Fanny herself does not, like Roxana or Moll Flanders, repent. She has no remorse for her education in sex, although she does realize that she is being exploited. Further, Fanny acts as a picara, as a prostitute she shows the wealthy men of the peerage at their most base and private. Samuel Richardson and Daniel Defoe had written about women forced into compromised situations before, and they had hinted graphically enough that the subversive and erotic context was present, but neither made their heroines women of pleasure. Neither of them imputed to their women any joy in their situation, whereas Cleland does. (wiki)

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