JUDY COLLINS WHO KNOWS... MINT '68 WHITE LABEL PROMO LP

$

178

    
<img src= http://pics

WE CURRENTLY HAVE   MORE THAN 400   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

►Click here to see our ROCK auctions ►See our JAZZ auctions ►See our BLUES auctions ►See our COUNTRY auctions ►See our CLASSICAL auctions ► See our STILL SEALED ITEMS ►See our PROMO auctions ►See our SOUL auctions ►See our AUDIOPHILE auctions

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·       JUDY COLLINS with STEPHEN “SUITE:JUDY BLUE EYES” STILLS,  VAN DYKE PARSONS, JAMES BURTON AND OTHERS- WHO KNOWS WHERE THE TIME GOES – ORIGINAL 1968 ELEKTRA RECORDS STEREO LP EKS-74033

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

You’d think that Sweet Judy Blue Eyes's would have no business appearing in our auctions? Well…we beg to differ. Not only did Judy Collins revolutionize the folk movement of the early 60's, she also provided background music and voice to some of the most important civil rights events of the period. Plus, she gave exposure to many up-and-coming artists who would later become legends in their own right. There would be no Leonard Cohen, for example, if Judy Collins didn't record his "Suzanne" almost a year before Lenny did. Finally, there's this gorgeous voice which will melt you away in no time at all. On account of all this, we forgive Judy for singing to Bill and Hillary at the White House and for being a perpetual sweetheart of the liberal establishment and New York jet set. (Sigh…nobody's perfect). We strongly feel that this,  her 1968 album, is by far her best. Just look at the unbelievable assembly of fabulous session players and everything will be explained to you. Judy covers Sandy Denny's "Who knows where the time goes" and, allow us to say this, her version outshines the original Sandy Denny's version by a few light years.

Stellar backing band includes: James Burton (who played with Elvis Presley, Gram Parsons, Emmy Lou Harris), Stephen Stills (Crosby, Stills, Nash & Young),  Buddy Emmons (Bob Dylan, Gram Parsons, everyone else); Van Dyke Parks (Beach Boys, Byrds, Tim Buckley) , Chris Ethridge (Flying Burrito Brothers); James Gordon (Eric Clapton, Joe Cocker, George Harrison)

***

With a cast of instrumental all-stars, folk vocalist Judy Collins creates a mini-masterwork on Who Knows Where the Times Goes. Collins' strength as a storyteller and interpreter are at their forte throughout the disc. Likewise, she wanders upon the precipice of less traditional folk and more toward rock ("Hello Hooray") and even country/rock ("Poor Immigrant") -- the latter of which is a cover of a Bob Dylan composition. Additionally, her inimitable choice of material -- Collins' sole contribution being the languid ballad "My Father" -- serves the disc well. This is especially true of Ian Tyson's (of Ian & Sylvia fame) "Someday Soon," which in time became one of Collins' signature tunes. However, it is her interpretations of Leonard Cohen's "Bird on the Wire" and the biblically based "Story of Isaac" that are perhaps the most stunning. Both the laid-back pedal steel guitar work of Buddy Emmons on "Bird on a Wire" as well as the stark accompaniment of Michael Sahl's intricate harpsichord melody on "Story of Isaac" create unique sonic imagery that mutually distinguishes as well as defines Collins' reading from the comparatively staid originals. However, it is "First Boy I Loved" -- originally recorded by the Incredible String Band -- that singularly defines the mood and timbre of Who Knows Where the Time Goes. The inherently ethereal composition is adorned by Stephen Stills' tasty, yet restrained, fretwork that blends seamlessly with Collins' own acoustic guitar. Together they support -- without becoming overpowered by -- the featured rhythm section of Jim Gordon (drums) and Chris Etheridge (bass). Enthusiasts of Judy Collins rank this among their favorite recordings and it is likewise a perfect touchstone for the burgeoning listener as well.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

THIS IS A NO-RESERVE AUCTION!

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.

(e)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4 (front side) and 3 (back side)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging. Light yellowing is also noted on the INSIDE gatefold

-         The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 1 inch = 2.5 centimeters)

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

WANT A DISCOUNT ?!? 

IT’S EASY: CLICK ►HERE TO see HOW!

(please note recent changes in our policy)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

►OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ►ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

© 2001,2007 MDJ. All rights reserved.