JOHN RENBOURN "JOHN RENBOURN" TRANSATLANTIC ORIGINAL1ST PRESS 1966 MONO TRA135
£
36
$
48
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Description
JOHN RENBOURN
"JOHN RENBOURN"
TRANSATLANTIC RECORDS
ORIGINAL 1ST PRESS 1966 UK - MONO
FRONT LAMINATED SINGLE SLEEVE
Catalogue Number: TRA 135
Matrix Numbers:
Side One:- TRA 135 A-1 V S X
Side Two:- TRA 135 B-2 V S X
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT
VERY LIGHT AGE DISCOLORATION
Vinyl:- EXCELLENT
Labels:- EXCELLENT +
ORIGINAL ROUGH TEXTURED LABELS
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
Tracklist
A1Judy 1:58
A2
Beth's Blues Written-By – Blind Boy Fuller 2:08
A3
Song Words By [Poem] – John Donne 1:59
A4
Down On The Barge 1:58
A5
John Henry 3:24
A6
Plainsong 3:48
A7
Louisiana Blues Written-By – Muddy Waters 3:02
A8
Blue Bones Guitar, Written-By – Bert Jansch 4:42
B1
Train Tune 2:39
B2
Candy Man Written-By – Rev. Gary Davis 3:21
B3
The Wildest Pig In Captivity 2:08
B4
National Seven 3:01
B5
Motherless Children 3:29
B6
Winter Is Gone 2:18
B7
Noah And Rabbit Guitar, Written-By – Bert Jansch 2:50
Credits
- Arranged By – Renbourn* (tracks: A5, B2, B5, B6)
- Photography [Cover], Design – Brian Shuel
- Producer – Nathan Joseph
- Recorded By – Jimmy Duncan (tracks: A1, A5, A7 to B2, B5 to B7), Nathan Joseph (tracks: A2 to A4, A6, B3, B4), Peter Attwood (tracks: A1, A5, A7 to B2, B5 to B7)
- Written-By – Renbourn* (tracks: A1 to A4, A6, A8, B1, B3, B4, B7), Traditional (tracks: A5, B2, B5, B6)
Notes
Original first UK pressing with white/purple rough-textured paper labels************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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