JOHN PHILLIPS WOLFKING OF L.A. NR MINT ORIGINAL '70 LP

$

38

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·       JOHN PHILLIPS - SELF-TITLED 1970 ALBUM (ALSO KNOWN AS "THE WOLF KING OF L.A.") - ORIGINAL 1970 DUNHILL RECORDS STEREO LP DS-50077.

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK DUNHILL LABEL WITH MULTICOLOR “WARLOCK” BANNER (FROG MOTIF)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH,  SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

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John Phillips was one of the unheralded heroes of the American Psychedelic Revolution. To our ears, this album remais one of the most wonderful, long-lost relics of the 1960's (although, technically, the album was released in 1970). After Mamas and Papas disintegrated, John Phillips relegated himself to a drug-induced oblivion, but not before recording this great West Coast/soft psych/trippy Folk album. This moody, brooding masterpiece is a testimony to his fantastic songwriter skills and mesmerizing vocal. The songs are - literally - one minor masterpiece after another, joys of utter simplicity and lack of adornment, and the musicians are the envy of Los Angeles. Practically the entire Phil Spector's "Wall of Sound" orchestra is here, down to Darlene Love on backing vocals!!!. And that is not all. Three out of five of the best American pedal-steel guitar players appear on the list of musicians: James Burton (played with  Elvis Presley, Emmylou Harris, Gram Parsons), Buddy Emmons (played for practically everyone) and OJ "Red" Rhodes (Mike Nesmith, Monkeys, etc). And then there are others: Hal Blaine, Drums - Larry Knechtel - Keyboards and many, many others. The final result is a gentle, but ominously bluesy album on which John's deep, expressive voice cascades over intricate musical patterns like a proverbial waterfall. The album was quickly withdrawn from commercial circulation upon release - whether because John was not happy with it, or because it did not sell, and it has been unavailable in any decent format for decades.The songs are: April Anne - Down the Beach - Drum - Holland Tunnel - Let it bleed, Genevieve - Malibu People - Mississippi - Someone's sleeping - The Mermaid (mistitled on some foreign releases) - Topanga. A must for any West Coast 60's music aficionado.

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship,  revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or  click here  for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

-         Cover has a partially split spine (between 4 and 6 inches  / 10 to 15 centimeters)

-         Cover has some fraying/wear along the spine

-         Cover has one corner slightly worn / dinged / bent.

-         Cover has a few tiny wrinkles along the spine

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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