JOHN COLTRANE ASCENSION INSANELY RARE JUKEBOX 7" EP
$
32
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· JOHN COLTRANE with FREDDIE HUBBARD, ARCHIE SHEPP, ELVIN JONES, PHAROAH SANDERS, McCOY TYNER AND JIMMY GARRISON - ASCENSION - ORIGINAL 1965 IMPULSE RECORDS MONO EP
· ORIGINAL U.S. PRESSING
· ORIGINAL 1965 7-INCH, 33-rpm, 2-track JUKEBOX EP (EXTENDED PLAY RECORD, ALSO POPULARLY KNOWN AS “THE LITTLE LP”)
· ORIGINAL 1965 IMPULSE STEREO EP RECORD # AS-95 (SAME CATALOG NUMBER AS THE ORIGINAL LP)
· ORIGINAL U.S. PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL ORANGE AND BLACK IMPULSE LABEL
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The single most radical, revolutionary album in the history of Jazz; when this album came out, it caused an uproar and upheaval of galactic proportions, and after only a single playing, one can figure out why: simply put, this is a most astonishing one-way-ticket departure from all existing forms, tonal and atonal structures, conventions and dogmas known to Jazz. Think of this as Coltrane's taking traditional Jazz to the guillotine and waving its detached head thereafter. Forty years later, it is still too radical and revolutionary for some narrow minds. The Mountain of originality and creativity.
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Ascension is the single recording that placed John Coltrane firmly into the avant-garde. Whereas, prior to 1965, Coltrane could be heard playing in an avant vein with stretched-out solos, atonality, and a seemingly free design to the beat, Ascension throws most rules right out the window with complete freedom from the groove and strikingly abrasive sheets of horn interplay. Recorded with three tenors (Trane, Pharoah Sanders, Archie Shepp), two altos (Marion Brown, John Tchicai), two trumpet players (Freddie Hubbard, Dewey Johnson), two bassists (Art Davis, Jimmy Garrison), the lone McCoy Tyner on piano, and Elvin Jones on the drums, this large group is both relentless and soulful simultaneously. While there are segments where the ensemble plays discordant and abrasive skronks, these are usually segues into intriguing blues-based solos from each member. The comparison that is immediately realized is Ornette Coleman's Free Jazz of five years previous. However, it should be known that Ascension certainly carries its own weight, and in a strange sense makes Coleman's foray a passive adventure -- mostly due to an updated sonic quality (à la Bob Thiele) and also Trane's greater sense of passionate spiritualism. Timed at around 40 minutes, this can be a difficult listen at first, but with a patient ear and an appreciation for the finer things in life, the reward is a greater understanding of the personal path that the artist was on at that particular time in his development. Coltrane was always on an unceasing mission for personal expansion through the mouthpiece of his horn, but by the time of this recording he had begun to reach the level of "elder statesman" and to find other voices (Shepp, Sanders, and Marion Brown) to propel and expand his sounds and emotions. Therefore, Ascension reflects more of an event rather than just a jazz record and should be sought out by either experienced jazz appreciators or other open-minded listeners, but not by unsuspecting bystanders.
(EXCERPT FROM AN ONLINE REVIEW BY JACK L.V. ISLES, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The so-called "LITTLE" (or Juke Box) LPs ARE NOT to be confused for regular 7-inch, 4-track EPs which were widely commercially available. The 7-inch LITTLE LPs were made EXCLUSIVELY for use in Jukebox machines or for other promotional purposes and were usually accompanied by the set of 4- or 6 jukebox labels (usually, but not always, replicating the original cover artwork). The LITTLE LPs were NEVER commercially available in any way, manner or form, and are usually NOT listed as a separate category in the record collecting price books and directories. How in the heavens name could anyone at Impulse even imagine that something like this – the most extremely radical music imaginable – could be played in dance halls and on Jukebox machines is truly mind-boggling and beyond belief. My mind literally ground to a halt when I saw this piece!
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Cover has a partially split spine (between 4 and 6 inches / 10 to 15 centimeters)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Cover shows some light yellowing on both sides, apparently from aging.
- Minor shelf wear noted on the seams (nothing significant)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Back cover has a sticker residue (partially peeled remnants of the price sticker or some other sticker; the buyer can probably remove these small, still affixed bits and pieces of the sticker with a minor effort)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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