JOE HENDERSON Our Thing LP BLUE NOTE 1964_1985 FRA reissue+DMM BST 84152
€
25
$
28
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Description
1985 FRENCH REPRESSING on BLUE NOTE label. SINGLE COVER + COMPANY INNER SLEEVE. The cover is in G++ condition: normal wear BUT heavy damaged on bottom edge on front + gray stains on bottom edge on rear (waterdamaged), without splits, blue sticker on front (top right), left spine is fully readable; INNER also with water/wet marks on bottom (both sides) but NOT missing parts; please for details see photos. The vinyl is in EX/NM condition [hardly played].
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JOE HENDERSON
Remarkable tenor saxophonist whose passionate ballad playing and often fiery solos made him one of the most influential tenors in jazz.
"OUR THING"
<reissue, originally published 1964>
LP BLUE NOTE RECORDS BST 84152
MADE IN FRANCE 1985 REPRESSING
SINGLE COVER + COMPANY INNER SLEEVE
Barcode and Other Identifiers
Barcode: 509996 99286 1 1
Rights Society: SACEM SDRM SACD SGDL
Catalog on cover: BST 84152
Matrix / Runout (Side A): BST 84152 A 21 M 9 350473 3
Matrix / Runout (Side B): BST 84152 B 21 M 9 350474 3
On labels: for details see dedicated pictures
On Back Cover: Tracklist + Credits + Notes
Blue Note Records.........℗, © 1985, Manhattan Records, a Division of Capitol...........Printed in France
Recorded in 1963 DMM is a trademark of TELDEC OFFSET FRANCE Imprimé en france\
tracklisting: please, for tracklist see pictures
grading
RECORD EX/NM but (please, read above description)
SLEEVE G++ but (please, see pictures and read above description)
Joe Henderson's second recording as a leader features a very strong supporting cast: trumpeter Kenny Dorham (one of Henderson's earliest supporters), pianist Andrew Hill, bassist Eddie Khan, and drummer Pete La Roca. Together they perform three Dorham and two Henderson originals, advanced music that was open to the influence of the avant-garde while remaining in the hard bop idiom. The up-tempo blues "Teeter Totter" contrasts with the four minor-toned pieces and, even if none of these songs became standards, the playing is consistently brilliant and unpredictable. Even at this relatively early stage, Joe Henderson showed his potential as a great tenorman...(AllMusic)
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