JIMMY CLEVELAND w/ART FARMER RHYTHM CRAZY RARE EMARCY MONO WHITE LBL PROMO LP NM
$
28
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WE CURRENTLY HAVE ALMOST 1100 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· JIMMY CLEVELAND with ART FARMER, BENNY GOLSON, GIGI GRYCE, HANK JONES, OSCAR PETTITFORD AND LUCKY THOMPSON – RHYTHM CRAZY –ORIGINAL 1965 EMARCY RECORDS MONO LP MGE-26003 (ALBUM RECORDED IN 1959, BUT RELEASED ONLY IN 1965)
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL EMARCY LABEL, MID-'60s STYLE, WHITE PROMOTIONAL VERSION
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MACHINE STAMP IN THE DEAD WAX (TRAIL-OFF VINYL)
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Trombonist Jimmy Cleveland was a heavily in-demand session player, yet he led only a handful of record dates of his own, none after 1959. Leading an all-star septet with arrangements by either Benny Golson or Gigi Gryce, Cleveland primarily focuses on compositions by his peers, with the exception of Gryce's bop arrangement of "Crazy Rhythm," which showcases the leader's fluid yet mellow style. The band includes Jerome Richardson, Art Farmer, Benny Golson, Hank Jones, Milt Hinton and Osie Johnson. Golson's charts of two Oscar Pettiford tunes, the obscure blues "Old Reliable" (featuring Richardson on flute) and the well known "Tricrotism" (which surprisingly has no bass solo, instead featuring Richardson's baritone sax and the arranger's tenor sax), are very stimulating. Gryce scored Melba Liston's ballad "We Never Kissed" and his own "Reminiscing" to feature the leader to good effect. Long out of print, this Emarcy LP is long overdue to be reissued on CD.
(EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical information on this album, including track listing ►CLICK HERE
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 20:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+ (VG+)
The following flaws or imperfections are noted on the cover:
- Cover has some visible ring wear; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 6 (front side) and 4 (back side)
- Cover shows some light yellowing on both sides, apparently from aging.
- Cover has a light "wrinkle" (crease) in one of the corners.
- Cover has a few tiny wrinkles along the opening edge
- Cover has three corners slightly worn / dinged (nothing significant)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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