JIMI HENDRIX+ WOODSTOCK INSANELY RARE ORIG '85 #ED MFSL AUDIOPHILE 5-LP BOX SET

$

231

WE CURRENTLY HAVE  NEARLY 200  LISTED ITEMS

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·      VARIOUS ARTISTS (JIMI HENDRIX, THE WHO, CANNED HEAT, JOE COCKER, JEFFERSON AIRPLANE, COUNTRY JOE & THE FISH, TEN YEARS AFTER, CROSBY, STILLS,  NASH AND YOUNG, SLY AND THE FAMILY STONE, JOHN SEBASTIAN, RICHIE HAVENS AND OTHERS) -  THE WOODSTOCK FESTIVAL, VOLUME 1 (3-LP SET) AND VOLUME 2 (2-LP SET): Music From the Original Movie Soundtrack and more -   ULTRA-RARE ORIGINAL 1985MOBILE FIDELITY (MFSL) LIMITED (NUMBERED) EDITION, HIGH-QUALITY 'ORIGINAL MASTERS' AUDIOPHILE, EXTENDED DYNAMIC RANGE VIRGIN VINYL 5-LP  BOX SET MFSL-5-200

·      ORIGINAL U.S. PRESSING

·      THIS IS A NUMBERED, LIMITED EDITION: THIS COPY IS #02181. WE DO NOT KNOW HOW MANY COPIES OF THIS SET WERE MADE (THIS IS ONLY THE FOURTH COMPLETE SET WE HAVE EVER SEEN), BUT WE BELIEVE THAT THE SET WAS ISSUED IN SUBSTANTIALLY SMALLER PRESS RUN THAN OTHER MFSL RELEASES (PROBABLY NOT MORE THAN 2,500 COPIES) DUE TO EXCESSIVE PRODUCTION COSTS ASSOCIATED WITH PACKAGING AND MATERIAL

·      ORIGINAL WHITE MOBILE FIDELITY LABEL

·      INCLUDES:

(1)         INNER, CUSTOM-MADE MFSL CARDBOARD COVER; HOWEVER,  THE SET DOES NOT INCLUDE MFSL "RICE PAPER" INNER SLEEVES.

(2)         OUTER CARDBOARD BOX (SLIPCASE)

·      THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. MFSL AUDIOPHILE PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·      ORIGINAL "TRIPLE" GATEFOLD COVER (TRYPTICH STYLE)  [BOTH VOLUMES HAVE “DOUBLE” GATEFOLD COVER]

·      CLEAN, WEAR-FREE LABELS

·      FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7 to 8.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Woodstock One: It's almost impossible to regard the soundtrack albums for the Michael Wadleigh documentary Woodstock, simply as music, apart from the event that inspired them or what that event has come to represent. Music from the Original Soundtrack and More: Woodstock was originally released by Atlantic's Cotillion imprint as a three-LP set in a gatefold sleeve. It topped the Billboard Charts for four weeks and sold two million copies. It sold so well that Cotillion issued a sequel double album of more music from the festival that never appeared in the film. The LPs took the music out of the historical sequence of the festival and re-ordered (and edited) it for a sense of flow. Whether or not it accomplished its objective has been the subject of much debate and beyond this review's scope. What is relevant is that these performances signified via their spotty recording quality -- and sometimes dodgy performances -- that there was an amazing array of legendary talent on hand at Woodstock; though not all of it is captured here. Musically, the second LPc sounds the least dated with its over the top performances by a shockingly great Santana with "Soul Sacrifice," Ten Years After's guitar workout on "I'm Goin' Home," Jimi Hendrix's "Star Spangled Banner" medley (still a stunner after all these decades); the Jefferson Airplane's rocking and raucous version of "Volunteers," and the orgiastic Sly & the Family Stone medley that includes "Dance to the Music," "Music Lover," and an insanely great "I Want to Take You Higher." There is some filler as well thanks to a drippy John Sebastian track called "Rainbows All Over Your Blues," and an indulgent "Love March" by an out-of-their-prime Butterfield Blues Band.

First LP is more complex. There are some fine moments here, especially the CS&N and CSN&Y tunes, including "Suite: Judy Blue Eyes" (perhaps not perfect in voice but a very inspired performance), and "Wooden Ships," with a decent if not thrilling "Sea of Madness," in between. There is a desultory "We're Not Gonna Take It" from the Who that is out of context, given they performed the entirety of Tommy. While Canned Heat's "Goin' Up the Country" has aged well, Country Joe & the Fish's "The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-To-Die Rag" has not, nor has Joan Baez's performance of "Drug Store Truck Drivin' Man." Her version of "Joe Hill" is generic. Richie Havens' "Freedom" is still thrilling, especially since it is preceded by Sebastian opening the entire set up with another duller-than-dull "I Had a Dream." The "Summer of Love" had been over for two years by the time Woodstock took place, and riots in Watts, Detroit, Newark, and other places had occurred, as well as an escalation in the Vietnam War. The most out of place thing here is Sha Na Na's "At the Hop," which sounds surreal but ragged and right, and Joe Cocker's "With a Little Help from My Friends," that closes disc one; it's electrifying if rather out of tune. So as it stands, Woodstock is a wildly mixed bag, and not particularly pleasant to listen to, but it does indeed have a significant place in the rock pantheon and should be regarded more as an artifact than as an album in its own right.

***

After the multi-platinum success of Music from the Original Soundtrack and More: Woodstock that accompanied Michael Wadleigh's documentary film Woodstock (two million copies sold and it spent four consecutive weeks at the top of the Billboard charts, and even a Top 20 spot on its R&B chart!), Woodstock Two was inevitable as a sequel. Released as a double LP in 1971 with more stills from the film -- though none of the music here was included -- this set featured many of the same artists who'd appeared on the first volume, with two additions: Mountain, and Melanie. If anything, this set, more concise and more focused, is a better bet than its predecessor. Disc one is a stunner on more than one level. First, there are three tracks by Jimi Hendrix and his expanded lineup after breaking up the Experience (adding guitarist Larry Lee), and a trio of percussionists along with Mitch Mitchell and bassist Billy Cox. There's the killer "Jam Back at the House," which rolls in riffs and an instrumental array of tunes from his catalog including "Rainy Day Dream Away"; there's a killer take on "Izabella" that's raggedy but full of killer improvisation -- check the interaction between Cox and Mitchell -- and "Get My Heart Back Together," also known as "Hear My Train A'Comin'." These 20 minutes of music make it worth the purchase of this collection if you don't already possess the Jimi Hendrix Live at Woodstock disc.

Jefferson Airplane is also here with an extra 12 minutes of music. Judging by this contribution and the inclusion of "Volunteers," on volume 1, this ranks as one of their greatest live sets ever issued. They begin "Saturday Afternoon/Won't You Try" with a medley of tunes from After Bathing at Baxter's, issued early on in their career. The vocal performances by Marty Balin, Grace Slick, and Paul Kantner are simply stellar, but Jorma Kaukonen's guitar as a guiding light also really shines here, and it screams on their other selection, "Eskimo Blue Day," from the Volunteers album, even if its basic structure aped Bob Dylan's "All Along the Watchtower." Disc one ends with the Butterfield Blues Band redeeming themselves with Little Walter's "Everything's Gonna Be Alright," after the indulgent debacle of "Love March" on volume one.

Disc Two features a trio of fine cuts by Crosby, Stills, Nash & Young including "Marrakesh Express," and a pair from Mountain: the stellar rocker "Blood of the Sun," and the more pastoral "Theme from an Imaginary Western." Canned Heat's 13-minute "Woodstock Boogie" is a bit monotonous, but it's a blast all the same. The tracks by Melanie and Joan Baez included here add nothing to this set and should have been left off in favor of some other artists who weren't included on either volume, but that's personal preference.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565.

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·      CONDITION:

·      THE RECORDS

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)         WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          (NOTE: ALL THE SCUFFS ARE SUPERFICIAL AND INCONSEQUENTIAL AND NONE ARE EXPECTED TO BE AUDIBLE: THERE ARE NO SERIOUS AND DEEP SCRATCHES ANYWHERE ON THIS 5-LP SET)

(c)         The records are pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(d)         The album comes with the original MFSL cardboard inner sleeves, but does not come with the MFSL "rice paper" inner sleeves.

(e)         Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·      COVER (includes numbered,  external "slipcase" cover)

BOTH INTERNAL COVERS (WOODSTOCK 1 & WOODSTOCK 2) ARE  EXCELLENT TO VG+++; TWO MINOR TEARS NOTED ON THE SPINE FOLDING ON WOODSTOCK I AND THE OPENING SIDE ; MINOR RING WEAR AS WELL AS SHELF WEAR NOTED ON THE TOP AND BOTTOM SEAMS OF BOTH SETS .

-       WE GRADE THE EXTERNAL (SLIPCASE) COVER AS VERY GOOD+ (VG+)

The following flaws or imperfections are noted on the external (SLIPCASE) cover:

-       The slipcase cover has partially split top seams (between 6 and 8 inches  /15 to 20 centimeters); This side of the slipcase cover was delicately taped by the previous owner with a wide (2") piece of transparent scotch tape . The slipcase also has partially split spine (3") and the bottom seam (2"), which have not been repaired.

-       Visible shelf wear noted on the seams

-       Cover has all four corners slightly worn

-       NOTE: THE INTERNAL "TRAY" OF THE SLIPCASE COVER IS IN A BETTER CONDITION THAN  THE EXTERNAL "LID" PART.

·      THE COVER

COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

COVER IS STILL SEALED; HOWEVER, WE ARE UNABLE TO GRADE IT MINT OR NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS EXCELLENT OR VG++

COVER IS STONE MINT AND NOTHING SHORT OF ABSOLUTE PERFECTION, WITHOUT EVEN A HINT OF A FLAW OR DEFECT; A KIND OF BEAUTY YOU ONLY GET TO SEE ONCE IN A LIFETIME.

COVER IS STONE MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP  AND NOTHING SHORT OF ABSOLUTE PERFECTION, WITHOUT EVEN A HINT OF A FLAW OR DEFECT; A KIND OF BEAUTY YOU ONLY GET TO SEE ONCE IN A LIFETIME.

THE COVER IS STILL IN ITS ORIGINAL ►SHRINK WRAP;  HOWEVER, WE ARE UNABLE TO GRADE IT NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS VG++

THE COVER IS MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP  AND SIMPLY BEAUTIFUL.

THE COVER IS MINT AND SIMPLY BEAUTIFUL.

THE COVER IS NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP

THE COVER IS NEAR MINT !

THE COVER IS NICE --- ABOUT EXCELLENT!

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

THE COVER IS ABOUT VERY GOOD+(+)

THE COVER IS ABOUT VERY GOOD+ (VG+)

THE COVER IS ABOUT VERY GOOD (VG).

THE COVER IS ABOUT VERY GOOD MINUS   (VG-).

THE COVER IS ONLY ABOUT GOOD+ (G+).

The following flaws or imperfections are noted on the cover:

-       Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-       Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-       Cover shows some light yellowing on back side, apparently from aging (nothing significant)

-       Cover shows some light yellowing on front side, apparently from aging (nothing significant)

-       Cover shows some light yellowing on both sides, apparently from aging (nothing significant)

-       Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-       Cover shows some light yellowing on both sides, apparently from aging.

-       Cover shows some yellowing on both sides, apparently from aging.

-       Cover shows considerable yellowing on both sides, apparently from aging.

-       Cover shows considerable, oppressive yellowing on both sides, apparently from aging.

-       Visible shelf wear noted on the seams

-       Visible shelf wear noted on the top seam

-       Visible shelf wear noted on the bottom seam

-       Visible shelf wear noted on top and bottom seams

-       Visible shelf wear noted on the spine

-       Visible shelf wear noted on the opening side

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer three postage rates for domestic orders: USPS Media Mail, USPS Priority Mail and USPS Express Mail and three rates for international shipments:  USPS First Class, USPS Priority International Mail, and USPS Express International Mail (in a small number of cases, we will, at our discretion and for purely technical reasons, substitute First Class Mail with eBay's Global Shipping, which is fundamentally the same service at about the same cost). INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail when making a payment.

INTERNATIONAL POSTAGE rates vary from one region of  the world to another. For SPECIFIC international and domestic postage rates, please click on " Shipping, returns, and payments" tab in the header of our listing.

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CRITICALLY IMPORTANT INFORMATION:

(A) All orders valued at $50.00 or more will be shipped fully insured against loss, damage or theft by ShipCover, eBay's contracted insurer, at our expense (B) Yes, we do combine items into a single shipment; in order to enable this feature, the winning bidders should WAIT until their last item of interest ends and ONLY THEN make a payment. Doing otherwise will result in multiple shipments to the same customer and forfeiture of multiple shipping charges already paid. (C) Because we do not play-grade our items, we do not know how the purchased item will play on the buyer's equipment. We can only make reasonable inference on the record's playing condition based on its visual appearance. (D) This seller will NOT cancel erroneous, frivolous and prank bids. The bidders can do so on their own, by visiting eBay's Site Map, then clicking on Bid Retractions link. (E) This seller does not specifically grade or describe certain items, such as: shrink (cellophane) wrap and accompanying extras (inserts, booklets, etc.); however, the presence of these items WILL be noted and accompanied by the gallery photo(s). (F) Please do not submit any bids on our items if you have insufficient user history. (G) Other than in very rare justified cases, failure to pay for the item you won amounts to a fraud and will result in a permanent ban on bidding on our future listings. (H) We will NEVER deliberately, knowingly or willingly provide a false, deceitful or misleading information.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE (POSTAGE INCLUDED) WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; STILL SEALED ITEMS MUST BE RETURNED SEALED IN ORDER TO BE ELIGIBLE FOR A REFUND.   NO EXCEPTIONS!

FINE (BUT IMPORTANT!) PRINT

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, the text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. (5) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner; please avoid puerile, offensive, abrasive or menacing language (6) This seller will accommodate all reasonable requests and - unless seriously molested - is generally a flexible, pragmatic and agreeable person.

Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

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