JIMI HENDRIX FLASHING RARE ORIGINAL 1967 CAPITOL STEREO LP NR MINT NOT ON CD

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·       JIMI HENDRIX - FLASHING - ORIGINAL 1967 CAPITOL RECORDS STEREO LP ST-2894

·       ORIGINAL US PRESSING

·       ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED (“RAINBOW) BAND ALONG THE LABEL’S EDGE

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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lashing is the follow-up to Get That Feeling: Jimi Hendrix Plays, Curtis Knight Sings released on Capitol as well and the reason why the Band of Gypsies live album eventually came out. These Ed Chalpin masters are different from the live tapes recorded at the New Jersey nightclub in 1965, material that comprises the albums Birth of Success, What I'd Say, and Early Jimi Hendrix, Vol. 2 released on EMI's MFP imprints in Europe. The material here was recorded in July and August of 1967, with three tunes recorded in 1966 and one from 1965. As Jimi Hendrix performed "I Saw Her Standing There" with Little Richard on the unreleased live tape by Walter DeVenne, the legendary mastering engineer, Curtis Knight and Hendrix give "Day Tripper" a go -- though they both sound pretty out of tune. The 1965 track "Don't Accuse Me," on the other hand, isn't bad, with snarling Hendrix guitarwork and a bluesy R&B groove. Though there are no revelations, as on Band of Gypsies, or underground gems like Jimi Hendrix Live at the Los Angeles Forum, 4-25-70, hearing Hendrix improvise on instrumentals like Curtis Knight's "Hornets Nest" or Ed Dante's title track "Flashing" (with its vocal snippet, "I got that feeling," almost a reference to the previous album) is more satisfying than hearing Moods or Rare Hendrix. "Happy Birthday" has some excellent Hendrix wah-wah and gives a taste of future "Voodoo Child" sounds. "Odd Ball" is another Ed Dante instrumental which has some future "Machine Gun" riffs from Hendrix lurking, waiting in the wings. For true fans, this is all so essential. It will be interesting to see if and how Experience Hendrix compiles this material along with the music he recorded with the Isley Brothers, Little Richard, and Lonnie Youngblood. Hendrix fans will always be seeking the holy grail, so these early albums are of value in understanding his master's guitar voice.

 (EXCERPT FROM AN ONLINE REVIEW BY JOE VIGLIONE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This is one of only three LEGITIMATE albums released in Jimi Hendrix' lifetime on a label NOT affiliated with Reprise records. Namely, Capitol records successfully argued in court in 1968 that they had rights to 1965/1966 session tapes by Jimi Hendrix recorded with Curtis Knight. These sessions were recorded anywhere between two years before and two months after the time Jimi got his big break at the Monterey International Pop Festival in June 1967 and represent a truly monumental testament to his musical evolution. Material ranges from psychedelic to Rhythm-and-Bluesy to downright funky. Needless to say, this recording (along with "Get that Feeling" album, a companion to this volume) has been unavailable for decades in any way, manner or form, and Hendrix estate shows no signs of being willing to reissue them.

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

EXC+++ - RW 1 - MINOR WATR STAIN 1 COR 1 SQ FRONT ONLY - MINOR WRINKLS  BOTTOM  - 1 DING NEARLY SPLIT

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-        Minor water stain noted in one corner of the front cover (nothing significant)  (VISIBLE ON FRONT SIDE ONLY)

-        Cover has a few tiny wrinkles along the bottom seam

-         Cover has one corner slightly worn / frayed / bent (just a beginning of the split seam)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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