JIMI HENDRIX ELECTRIC LADYLAND RARE NAKED LADIES COVER

$

84

e © AP6.0
 

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·       JIMI HENDRIX - ELECTRIC LADYLAND (JIMI?S THIRD ALBUM, ORIGINALLY RELEASED IN 1968) ? VERY EARLY BRITISH PRESSING CIRCA 1972/73 - POLYDOR RECORDS STEREO LP 2310269/70

·       RARE BRITISH ?NAKED LADIES? COVER, NEVER APPROVED FOR RELEASE IN THE UNITED STATES WITH THIS COVER (APPARENTLY, JIMI OBJECTED) AND RELEASED ONLY IN SOME COUNTRIES OF EUROPE IN THIS, ORIGINAL, UNCENSORED FORM.

·       VERY EARLY BRITISH PRESSING CIRCA 1971/72 ON RED POLYDOR LABEL

·       THIN CARDBOARD GATEFOLD COVER, EUROPEAN STYLE.

·       GLOSSY, LIGHTLY LAMINATED COVER.

·       BEAUTIFUL, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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Following the first two Jimi Hendrix' albums, instantly acclaimed as classics, Electric Ladyland propelled Jimi Hendrix into the Olympian stratosphere (indeed, portions of the album sound as if they were recorded there). After this album, there was no doubt in anyone's mind: Jimi had absolutely no peers whatsoever and was the new Electric Guitar "God". He would remain one until this day. The album features an incredible cast of characters and supporting crew, some of whom are UNCREDITED. Al Kooper, Steve Winwood and Jefferson Airplane's Jack Cassady are known to have played on the sessions and are officially credited; Johnny Winter, Stephen Stills and Jim Morrison (whose murmuring and drunken rants can purportedly be heard in the background of "Voodoo Chile - slight return") are rumored to be among the guests. You be the judge.

Now for the main reason the first covers are so rare: in 1968 the Track label was only one year old, Kit Lambert the co-founder and the Who's manager, was totally out of his head on drugs (as was most of the music business back then). He and Stamp were keen to make sure the album got maximum publicity, Jimi and the Experience were now based in America, so they assumed the artwork was as planned. The nude ladies cover angered Jimi when he found out, but in the UK it outraged the press and let's not forget, the 60's UK's public were very prudish and moralistic towards anything likely to deprave the "easily corruptable" teenagers. Record shop owners now had a serious problem of displaying the cover in a record rack, they solved it simply, by folding the gatefold cover inside out, for such a thickly made and strong cover, the damage caused was often enough to rip open the spine. Covers often had to remain in in this forced inside out postion, the laminate of course split, and after reversing it again, the cover usually looked like a total mess. With two records being constantly taken out and replaced -- plus this cover did look great on your wall ? the original nude covers simply didn't last very long; well-preserved copies, such as the one we have here, are inordinately hard to find.

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions ? mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The records are STILL in their original poly-lined stock inner sleeves, which have - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)             The records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover has a few tiny wrinkles along the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No ring wear

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No yellowing from aging

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US postage is $4.80 per item shipped via priority mail. International postage- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items. Please do NOT send $1.00 for international insurance, as this rate applies to domestic (USA) shipments ONLY. As of August 2004, we are charging an additional $1.00 per order (not per item) for shipping and handling, in order to offset increasing costs of labor and packaging material.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for ►DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do not play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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