JAMES CLAY & DAVID 'FATHEAD' NEWMAN "Sound....Wide Open Spaces " Shrink MONO
$
87
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
James Clay & David "Fathead" Newman ?– The Sound Of The Wide Open Spaces !!!!
Label: Riverside Records ?– RLP 12-327 Format: Vinyl, LP, AlbumCountry: US Released: 1960 Genre: Jazz Style: Bop, Hard Bop, Cool Jazz
TracklistHide Credits
A1 Wide Open Spaces Written-By – Babs Gonzales 12:08 A2 They Can't Take That Away From Me Written-By – G. & I. Gershwin* 6:26 B1 Some Kinda Mean Written-By – Keeter Betts* 6:32 B2 What's New? Flute – Clay*Written-By – Haggart*, Burke* 5:42 B3 Figger-ration Written-By – Babs Gonzales 8:45Companies, etc.
- Recorded At – Reeves Sound Studios
Credits
- Bass – Sam Jones
- Design [Cover] – Ken Deardoff
- Drums – Arthur Taylor*
- Engineer [Recording] – Jack Higgins
- Liner Notes – Orrin Keepnews
- Photography By [Front & Back-liner Photo] – Lawrence N. Shustak
- Piano – Wynton Kelly
- Presenter – Cannonball Adderley
- Producer – Julian "Cannonball" Adderley*
- Tenor Saxophone – Newman*, Clay* (tracks: A1 to B1, B3)
Notes
New York; April 26, 1960.Wynton Kelly appears through the courtesy of VEE-JAY Records.
Recorded at Reeves Sound Studios.
Riverside-Reeves SPECTRO-SONIC High Fidelity Engineering.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.