Henry Threadgill Easily Slip Into Another World RCA Novus 1st Pressing Mint
$
40
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Description
Henry Threadgill Easily Slip Into Another World RCA Novus Original 1st Pressing Mint
Of the three albums made by Threadgill Sextett, this one has the most variety on it. Threadgill is of course a master composer, arranger with a great talent for composing big bold themes for a mid size ensemble, these bands were often call "little big bands", they combine complex structure with freedom for the soloists. Also notably there is a vocal feature for indian singer Asha Puthli. Still highly colorful, creative and imaginative writing and playing over 30 years later.
This Henry Threadgill title is one of three excellent recordings the jazz alto and flute player made for Novus in the late '80s. He is joined here by his stellar sextet (actually a septet) comprised of trumpeter Rasul Saddik, trombonist Frank Lacy, cellist Diedre Murray, bassist Fred Hopkins, and drummers Pheeroan Aklaff and Reggie Nicholson. Like avant-garde contemporaries Anthony Braxton and Muhal Richard Abrams, Threadgill created a seamless mix of improvisation space and complex arrangements to galvanize his musicians. Threadgill, though, went further by exploring a wider range of styles. The positive effects are made evident here by the group's inspired solos and ensemble playing on everything from the New Orleans' march "Black Hands Bejeweled" and Olu Dara's calypso-funk tune "I Can't Wait to Get Home" to the manic, free-form number "Hall" and sprechstimme-jazz piece "My Rock." Threadgill's acerbic and mercurial alto work seem to point to the dark humor underlying these and many of his other compositions, while Lacy's warbling and growling trombone statements bask in their inherent joy; the two sentiments made respectively clear on the expressionist-flavored "Let Me Look Down Your Throat or Say Ah" and the ecstatic, Raymond Scott-inspired "Award the Squadtett." Easily Slip Into Another World and Threadgill's other Novus titles (You Know the Number and Rag Bush and All) offer a fine introduction to the work of one of jazz's best and most underrated composers and improvisers.
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