HARRY NILSSON "Aerial Pandemonium Ballet" LP 1971, NM/VG+
  $   20

 


$ 20 Sold For
Jun 27, 2018 Sold Date
Mar 12, 2017 Start Date
$   25 Start price
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Description

Description: 

AllMusic Review by Stephen Thomas Erlewine

What is hubris? It is Aerial Pandemonium Ballet, a folly Harry Nilsson crafted after winning a Grammy for "Everybody's Talkin'." Riding upon the goodwill generated by the award, he decided to compress and edit his first two (quite brilliant) albums into one record. He remixed tracks, erased old vocals, over-sang some new ones, edited sections out of certain songs, and slowed others down. Apart from the intros and outros, there are no brand-new items, just old tunes presented in slightly new, slightly off-putting ways. If you're not familiar with the debut, this will be pretty enchanting since the two records weren't that far apart stylistically and, let's face it, he was working with pretty terrific source material. 

Nilsson* ?– Aerial Pandemonium Ballet

Label: RCA Victor ?– LSP-4543 Format: Vinyl, LP, Album 
Country: US Released: 1971 Genre: Rock Style: Pop Rock

Tracklist

A1 Introduction 0:09 A2 1941 (Slowed Down Track & Remixed) 2:37 A3 Daddy's Song (New Vocals, Guitar / Piano / Out Of Sync) 2:07 A4 Mr. Richland's Fav. Song (New Background Vocals & Remixed) 2:07 A5 Good Old Desk (Slowed Down Track & Remixed) 2:30 A6 Everybody's Talkin' (Dumped Second Voice & Remixed) 2:42 A7 Bath (Re-EQ'd Original Tracks) 1:50 B1 River Deep - Mountain High (New Vocals & Remixed) 3:57 B2 Sleep Late, My Lady Friend (Remixed) 2:37 B3 Don't Leave Me (Remixed) 2:12 B4 Without Her (New Vocals & Remixed) 2:08 B5 Together (New Vocals, Edited Out Bridge & Remixed) 1:37 B6 One (Remixed) 2:18 B7 Closing 0:20

Companies, etc.

  • Copyright (c) – RCA Records
  • Pressed By – RCA Records Pressing Plant, Indianapolis

Credits

  • Arranged By [Original] – George Tipton
  • Design [Album] – Dean O. Torrence*
  • Design [Original] – Dick Hendler, Jeff Gold
  • Engineer – Ritchie Schmitt*
  • Engineer [Original] – Dick Bogert, Pat Ieraci
  • Producer [All Sessions Originally Produced By] – Rick Jarrard
  • Technician – Dennis Smith
  • Written-By – Neil* (tracks: A6), Nilsson* (tracks: A1 to A5, A6, B2 to B7), Spector-Barry-Greenwich* (tracks: B1)

Notes

RCA, Indianapolis pressing per "I" stamp in runouts.

A Nilsson House Production
Selected tracks edited, remixed and reworked from Nilsson's first two albums "Pandemonium Shadow Show" (1967) and "Aerial Ballet" (1968).

Pressed as a Dynaflex vinyl. Pressing plant derived from run out information.

Barcode and Other Identifiers

  • Matrix / Runout (Matrix Side A, on label): APRS-8129
  • Matrix / Runout (Matrix Side B, on label): APRS-8130
  • Matrix / Runout (Side A run out, stamped): APRS 8129 30 S I
  • Matrix / Runout (Side B run out, stamped): APRS 8130 3S I
  • Rights Society: BMI

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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