HANK MOBLEY QUINTET ULTRA-RARE ORIG 1956 BLUE NOTE MONO LP 1550 63/23 DG RVG EAR
$
897
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· HANK MOBLEY with HORACE SILVER, ART BLAKEY, DOUG WATKINS AND ART FARMER - THE HANK MOBLEY QUINTET - ULTRA-RARE ORIGINAL 1957 BLUE NOTE MONO LP BLP-1550
· ORIGINAL U.S. PRESSING
· ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 63RD STREET, NEW YORK', ADDRESS ON THE LABEL
· ULTRA-RARE VERSION OF BLUE NOTE LABEL WITH 'BLOCK' FONT AND ZIP CODE ('23') AFTER 'NEW YORK' IN THE ADDRESS (PLEASE SEE THE MAGNIFIED DETAIL ON THE LABEL, SHOWN BELOW)
· DEEP GROOVE PRESSING
· The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· NO Registered Trademark symbol [®] at the bottom part of the label !
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Tenor saxophonist Hank Mobley has been called underrated so many times that the word may as well have been his middle name, and when combined with the numerous financial, personal, and health issues the saxophonist endured during his career, it all added up to a middle of the pack position in the jazz canon. He truly deserves a reevaluation. This delightfully warm set was cut on March 8, 1957 with Mobley on tenor sax, Art Farmer on trumpet, Horace Silver on piano, Doug Watkins on bass, and the energetic and busy Art Blakey on drums, which makes for a pretty nice session band when all is said and done. All eight selections (two are bonus tracks, alternate versions of "Funk in Deep Freeze" and "Wham and They're Off") are original Mobley compositions and show off his -- you guessed it -- underrated writing and arranging ability. "Wham and They're Off" is an aptly named piece, bouncing breezily out of the box in both versions, while "Base on Balls" is wonderfully lazy and laconic, unwinding into a perfectly loose and soulful jam for a long summer's day. "Funk in Deep Freeze," by the way, seems more frozen than it is funk, but it's still fun. The bottom line is that this is a superior quintet working effortlessly together, and Mobley's concisely measured, round sax tone binds everything into a beautifully nuanced set. Mobley might not have been out there pushing the envelope with his instrument, but here he plays with confidence and lyrical economy, making this easily one of his best outings.
(EXCERPT FROM AN ONLINE REVIEW BY STEVE LEGGETT, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) A note about the condition of this record: as you can see, the condition of this album is not mint or near mint; however, we will never stop marveling at how these old records, despite their wear STILL manage to play almost two levels above their visual grade. Simply put: the record plays much better than it looks, PROBABLY IN THE VG++ TO EXCELLENT RANGE (Art Farmer's trumpet solos are particularly striking and magnificent). The vinyl plays beautifully, with full dynamic and frequency range and without any distortion whatsroever! This record WAS play-graded.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings)
(e) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(f) The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastilite Corporation’s pressing plant.
(g) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++). [THE LAMINATED FRONT SIDE IS SIMPLY GORGEOUS AND, IF GRADED BY ITSELF, WOULD DESERVE EXCELLENT (EXC) GRADE]
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1 (front side) and 4 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some yellowing on back side, apparently from aging
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Cover has two tiny, almost invisible, pinholes (or staple holes) in ALL FOUR. These tiny holes are NOT cutout holes and are BARELY VISIBLE.
- Cover has a minor 'bump' (dent) on the bottom seam (nothing significant)
- Cover has a small quality control (inspection) stamp on the back panel (BARELY VISIBLE)
- Cover has one corner slightly worn (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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