Gnarls Barkley ?– St. Elsewhere 2006 UK LP RAP HIP HOP LEX RECORDS
£
19
$
25
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Description
Gnarls Barkley ?– St. Elsewhere 2006 UK PRESS LP RAP HIP HOP LEX RECORDS.EXCELLENT CONDITION
Electronic, Conscious Hip Hop, Funk / Neo-Soul
Gnarls Barkley ?– St. Elsewhere
Label: Warner Bros. Records ?– 2564 63267 1, Lex Records ?– 2564 63267 1 Format: Vinyl, LP, AlbumCountry: UK & Europe Released: 24 Apr 2006 Genre: Electronic, Hip Hop, Funk / Soul Style: Conscious, Hip Hop, Neo Soul
Tracklist
A1 Go-Go Gadget Gospel Piano – Ced Keys International*Written-By – Brian Burton, Nicolas Flagello, Thomas Callaway 2:19 A2 Crazy Written-By – Brian Burton, Gianpiero Reverberi*, Gianfranco Reverberi, Thomas Callaway 2:58 A3 St. Elsewhere Bass [Belmosynth], Arranged By [Bass, Fender Bass] – Daniele LuppiElectric Bass [Fender] – David PiltchOrgan – Daniele LuppiWritten-By – Barry Clarke, Brian Burton, Celia Humphris, David Costa, Stephen Brown, Thomas Callaway 2:30 A4 Gone Daddy Gone Bass, Guitar – Ben H. AllenKeyboards – Dr. PresidentWritten-By – Gordon Gano, Willie Dixon 2:28 A5 Smiley Faces Backing Vocals – Menta Malone, Tomika WaldenBass, Guitar, Organ – Dr. PresidentWritten-By – Brian Burton, Thomas Callaway 3:05 A6 The Boogie Monster Bass – Dr. PresidentWritten-By – Angelo Francesco Lavagnino, Armando Trovaioli, Brian Burton, Thomas Callaway 2:50 A7 Feng Shui Written-By – Brian Burton, Nino Nardini, Thomas Callaway 1:26 B1 Just A Thought Acoustic Guitar – Eddie ReyesBass [Belmosynth], Synthesizer [Minimoog], Arranged By – Daniele LuppiWritten-By – Brian Burton, Kevin Peek, Thomas Callaway 3:42 B2 Transformer Written-By – Brian Burton, Marlene Moore, Thomas Callaway 2:17 B3 Who Cares? Organ – Daniele LuppiSynthesizer [Farfisa Synth Orchestra], Arranged By [Bass, Orchestra, Trumpet] – Daniele LuppiTrumpet – Chris TedescoWritten-By – Brian Burton, Keith Mansfield, Thomas Callaway 2:27 B4 Online Bass [Hofner] – David PiltchDrums – Eric BoboSynthesizer [Minimoog] – Daniele LuppiWritten-By – Brian Burton, Thomas Callaway 1:48 B5 Necromancer Arranged By [Organ] – Daniele LuppiGuitar – Dr. PresidentOrgan – Daniele LuppiSynthesizer – Ced Keys International*Written-By – Brian Burton, Thomas Callaway 2:57 B6 Storm Coming Arranged By – Daniele LuppiTrumpet – Chris TedescoWritten-By – Brian Burton, Thomas Callaway 3:08 B7 The Last Time Written-By – Brian Burton, Thomas Callaway 3:25Companies, etc.
- Phonographic Copyright (p) – Gnarls Barkley
- Copyright (c) – Gnarls Barkley
- Licensed To – Warner Music UK Ltd.
- Record Company – Warner Music Group
- Published By – Chrysalis Music Ltd.
- Published By – Warner/Chappell Music
- Published By – Thomas J. Valentino, Inc.
- Published By – BMG Ricordi Music Publishing Spa
- Published By – Atmosphere Music
- Published By – BMG Zomba Production Music
- Published By – Trees Music Ltd.
- Published By – Universal
- Published By – Island Music Ltd.
- Published By – Gorno Music
- Published By – Hoochie Coochie Music
- Published By – Bug Music
- Published By – BMG Music Publishing Ltd.
- Published By – Chappell Recorded Music Library
- Published By – JW Media Music Ltd
- Published By – KPM Music Ltd.
- Published By – Bruton Music
- Mastered At – Paramount Recording Studios
- Lacquer Cut At – Metropolis Mastering
Credits
- Coordinator [Management] – Ayiko Carmichael, Dawn Englehart, Isabelle Naral
- Design, Art Direction – Tom Hingston Studio
- Engineer – Ben H. Allen
- Engineer [Additional] – Mark "Exit" Goodchild (tracks: A5, A7, B2)
- Engineer [Mix Engineered By] – Kennie Takahashi
- Featuring [Music Performed By] – Danger Mouse
- Featuring [Words Performed By] – Cee-Lo Green*
- Illustration – Kam Tang
- Lacquer Cut By – JD*
- Legal – William Berrol*
- Management – Jeff Antebi, KC Morton
- Mastered By – Mike Lazer
- Mixed By – Ben H. Allen, Danger Mouse
- Performer – Gnarls Barkley
- Producer, Music By – Danger Mouse
- Words By – Cee-Lo Green*
Notes
Track A1 contains samples from "Going Down To Freedom's Land" written by Nicholas FlagelloTrack A2 "Last Man Standing" written by Gianfranco/Gianpiero Reverberi
Track A3 "Geordie" arranged by Barry Clarke/David Costa/Celia Humphris/Stephen Brown
Track A6 "Ku Klux Klan Sequence" written by Armando Trovaioli/Angelo Francesco Lavagnino
Track A7 incorporates elements of "Tropical" by Nino Nardini
Track B1 incorporates elements of "Touch Of Class"
Track B2 incorporates elements of "Rubber Solution" written by Marlene Moore
Track B3 incorporates elements of "Mono Ski" written by Keith Mansfield
Track B4 incorporates elements of "Welcome To The Rain" by Mid Day Rain
Track B7 incorporates elements of "Chicano Chaser" written by Ian Langley
150 gram pressing
Includes lyrics sheet.
www.gnarlsbarkley.com
Made in the EU.
Barcode and Other Identifiers
- Barcode (Printed): 8 25646 3267 1 6
- Barcode (Scanned): 825646326716
- Label Code: LC 04281
- Rights Society: GEMA
- Rights Society (UK:): GEMA/MCPS
- Matrix / Runout (Side A, stamped [etch scribble over stamped markings]): SAM 01120 A-1
- Matrix / Runout (Side A, etched): 2564632671 A1 JD
- Matrix / Runout (Side B, stamped [etch scribble over stamped markings]): SAM 01120 B-1
- Matrix / Runout (Side B, etched): 2564632671 B1
Condition is "Used".
Dispatched with Royal Mail 2nd Class.
MEDIA CONDITION:EXCELLENT HAS A SMALL CRACK ON THE EDGE NOT ON THE GROVE OF THE RECORD AS SHOWN IN THE PHOTOS AND DOES NOT EFFECT THE PLAY
SLEEVE COVER CONDITION: BOTH OUTER INNER SLEEVE AND INLAY SHEET ARE IN EXCELLENT CONDITION
GENERAL ITEM CONDITION: IN EXCELLENT CONDITION IF THE MINUTE SMALL CRACK WAS NOT PRESENT IT WOULD HAVE BEEN NEAR MINT GRADE THE MEDIA IS IN EXCELLENT ON BOTH SIDES WITH MINIMUM WEAR
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing. In general, if not for a couple things wrong with it, this would be Near Mint.
SEE PHOTOS FOR FURTHER DETAILS.
PLEASE READ BEFORE BIDDING
FROM ASMOKE FREE AND PET FREE ENVIRONMENT
PAYMENTVIA PAYPAL ONLY
PAYMENTWITHIN 48 HRS OF BID ENDING
UK P/PFOR SINGLE 1 RECORD or DOUBLE LP IS £3.99 ANY ADDITIONAL RECORDS ADD £1.00 EACHPER RECORD FOR MULTI PACKAGE COMBINED DELIVERY or REQUEST COURIER SERVICE FORBULK PURCHASE
ADDITIONAL£1.00 FOR RECORDED DELIVERY WITH TRACKER NUMBER WILL NOT TAKE RESPONSIBILITY IFITEM IS NOT SENT RECORDED …….I KEEP PROOF OF P/P OF ALL ITEMS NOT SENT ASRECORDED DELIVERY
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FORFURTHER QUIRIES PLEASE CONTACT ME
PLEASEVIEW MY OTHER ITEMS
I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes.
Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition.
In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive,
please email me before leaving feedback (or opening anydispute), as any problems can be resolved.
RecordCollector Magazine's/ Goldmine Standard Grading Guide:
"MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint.
Near Mint (NM or M-) :
A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value.
EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint.
Very Good Plus(VG+):
Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesmay show some signs of wear and may have slight scuffs or very light scratchesthat don't affect one's listening experiences. Slight warps that do not affectthe sound are "OK". The label may have some ring wear ordiscoloration, but it should be barely noticeable. The center hole will nothave been misshapen by repeated play. Picture sleeves and LP inner sleeves willhave some slight wear, lightly turned up corners, or a slight seam split. An LPcover may have slight signs of wear also and may be marred by a cut-out hole,indentation or corner indicating it was taken out of print and sold at adiscount.
VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and theoccasional light scratch. Normal wear and tear on the cover or extra items,without any major defects.
Good Plus(G+):
Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject.
GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc.
FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced.
POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing.
BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler."
price rating