GREEN DAY 39/Smooth LP LOOKOUT 1990 US 2nd press+insert LOOKOUT 22
  £   36
  $   48

 


£ 36 Sold For
Aug 6, 2017 Sold Date
Jul 27, 2017 Start Date
£   20 Start price
10   Number Of Bids
  Italy Country Of Seller
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Description

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GREEN DAY

Out of all the post-Nirvana alternative bands to break into the pop mainstream, 

Green Day were second only to Pearl Jam in terms of influence. At their core, Green Day 

were simply punk revivalists who recharged the energy of speedy, catchy three-chord 

punk-pop songs. Though their music wasn't particularly innovative, they brought 

the sound of late-'70s punk to a new, younger generation

"39/SMOOTH"

1990     LP     LOOKOUT RECORDS     LOOKOUT #22  

PRINTED IN U.S.A.   2ND PRESSING

[Repress with the Berkeley address on the back cover. Earlier copies list the Laytonville address on rear]

SINGLE SLEEVE + LYRICS INSERT

HEAVY CARDBOARD COVER

Barcode and Other Identifiers

Barcode: none

LABEL: LOOKOUT - B/W PHOTO LABEL - BLACK TEXT

Catalog on cover: (spine) No. 22 (rear) LOOKOUT! RECORDS  #22

Catalog on labels: LOOKOUT - No 22 -

Matrix / Runout (Side A, Etched): LOOKOUT 22-A BILL, MIKE, JOHN : LOYAL FILTH GROUPIES L-34891 WE ? JAKE

Matrix / Runout (Side B, Etched):  LOOKOUT·22-B CALL BACK TOMORROW, IT'S A SCHOOL NIGHT L-34891X

On labels: Artist+Title+Tracklist

On Spine (from left to right)

GREEN DAY - 39/SMOOTH  JAMES PUT DOWN THAT SKINHEAD!   LOOKOUT RECORDS No.22

On Back Cover: Recorded in twenty two hours from 4:30 PM, Dec. 29th, 1989 

to midnight, Jan. 2nd, 1990 at Art Of Ears in San Francisco

Lookout Records P.O. Box 11374 Berkeley Calif. 94701

from my records collection

tracklisting

Side A: AT THE LIBRARY WITH WABA SE WASCA

DON'T LEAVE ME - I WAS THERE - DISAPPEARING BOY - GREEN DAY

Side B: GOING TO PASALACQUA - 16 - ROAD TO ACCEPTANCE

REST - THE JUDGES DAUGHTER

  grading

RECORD NEAR MINT but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

After a great start with "At the Library," it's quickly clear that the rest of the record is going 

to continue in the same vein. What's fun is realizing how much the band already had 

to work with, pursuing obvious love of three-chord forebears like the Dickies and 

the Ramones to energetic if not revelatory ends. Billie Joe Armstrong's balance of disaffection 

and nervous, goofy passion is well in place, while he's already showing his effective, 

no-frills approach to chewy feedback melody. Songs like "I Was There" and "Road to Acceptance," 

not to mention the implicitly weed-celebrating "Green Day" itself, 

are great calling cards for later breakouts on both levels...(AllMusic)


 


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