GEORGE WALLINGTON w/DONALD BYRD JAZZ FOR CARRIAGE ORIG PRESTIGE LP MINT
$
338
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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WE CURRENTLY HAVE NEARLY 1,100 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· GEORGE WALLINGTON with DONALD BYRD, ART TAYLOR, PHIL WOODS AND TEDDY KOTICK – JAZZ FOR THE CARRIAGE TRADE – ULTRA-RARE ORIGINAL 1956 PRESTIGE RECORDS MONO LP 7032
· ORIGINAL U.S. PRESSING
ONE OF THE RAREST JAZZ RECORDS IN EXISTENCE!!!
· ORIGINAL YELLOW AND BLACK 'PRESTIGE' RECORDS LABEL WITH ‘FIREWORKS’ MOTIF AND 50TH STREET, NYC ADDRESS ON THE LABEL
· DEEP GROOVE PRESSING
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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During 1956-57 trumpeter Donald Byrd and altoist Phil Woods (both important up-and-coming players) were regular members of pianist George Wallington's quintet. For this session, bassist Teddy Kotick and drummer Art Taylor complete the group on a program that includes three standards ("Our Delight," "Our Love Is Here to Stay" and "What's New"), a pair of Woods originals ("Together We Wail" and "But George") and Frank Foster's "Foster Dulles." The music falls between bebop and hard bop with Woods sounding quite strong while Byrd comes across as a promising (but not yet mature) youngster. A fine example of this somewhat forgotten but talented group, easily recommended to bop collectors.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(d) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(e) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- A visible water stain (VISIBLE ON BACK SIDE ONLY) affects the area about 1. 1/2 inch wide along the bottom seam; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 4 (back side)
- Cover has a few tiny wrinkles along the bottom seam
- Cover shows some light yellowing on both sides, apparently from aging.
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE
- ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stickers or labels
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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