Fine Cuts by Big Walter Horton.
A$
30
$
20
A$ 30
Sold For
Dec 21, 2018
Sold Date
May 19, 2017
Start Date
1
Number Of Bids
Great Britain
Country Of Seller
eBay
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Description
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Fine Cuts by Big Walter Horton.
Rating:Tracks:
Everybody's Fishin'
Don't Get Around Much Anymore
Relaxin'
We Gonna Move to Kansas City
Walter's Swing
Hobo Blues
Stop Clownin'
Need My Baby
La Cucaracha
Worried Life
Put the Kettle On
Performer Notes:
- Personnel: Big Walter Horton (harmonica, vocals), John Nicholas (guitar, piano), Mark Kazanoff (saxophone), Ron Levy (piano), Larry Peduzzi (bass), Terry Bingham, Martin Gross (drums).
- Producers: Edward Chmelewski, Jerry Del Giudice, Patrick McCarthy.
- Recorded at Viscount Studio, Cranston, Rhode Island and Sound Patterns, Farmington, Michigan.
- Despite being an extremely influential blues harmonica player, Walter Horton released only a handful of album under his own name during his lifetime. The last of these, 1979's FINE CUTS, found the veteran harp man displaying all the facets of his sophisticated technique. On the straight blues cuts, his big, blowsy tone commands immediate attention, while his playing on such tunes as "Don't Get Around Much Anymore" and "Relaxin'" showcase his jazzy chops and knack for nimble, precise melodic runs.
Format: Vinyl (1 Disc); Stereo
Country: USA
Studio/Live: Studio
Release Date: 27 January, 2009
Label: Blind Pig
Dimensions: 32.2 x 31.9 x 0.5 centimeters (0.36 kg)
Performer Notes:- Personnel: Big Walter Horton (harmonica, vocals), John Nicholas (guitar, piano), Mark Kazanoff (saxophone), Ron Levy (piano), Larry Peduzzi (bass), Terry Bingham, Martin Gross (drums).
- Producers: Edward Chmelewski, Jerry Del Giudice, Patrick McCarthy.
- Recorded at Viscount Studio, Cranston, Rhode Island and Sound Patterns, Farmington, Michigan.
- Despite being an extremely influential blues harmonica player, Walter Horton released only a handful of album under his own name during his lifetime. The last of these, 1979's FINE CUTS, found the veteran harp man displaying all the facets of his sophisticated technique. On the straight blues cuts, his big, blowsy tone commands immediate attention, while his playing on such tunes as "Don't Get Around Much Anymore" and "Relaxin'" showcase his jazzy chops and knack for nimble, precise melodic runs.
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