FRANK ZAPPA-Sheik Yerbouti-D0-2xLP

	A$		46
	$		30

ITEM: VINYL 2x12” LP 33 1/3rpm
ARTIST: FRANK ZAPPA
TITLE: Sheik Yerbouti
COUNTRY PRINTED: OZ
CAT No: CBS, S2BP 220210 (STEREO, 1979)
COVER: Gatefold (Grade at NEAR MINT-)
LABELS: (Grade at MINT-)
VINYL:
Record #1:(Grade at MINT-)
Record #2:(Grade at MINT-)
TRACKS:
A1 I Have Been In You 3:30
A2 Flakes 6:41
A3 Broken Hearts Are For Assholes 3:46
A4 I'm So Cute 4:20
B1 Jones Crusher 2:49
B2 What Ever Happened To All The Fun In The World 0:33
B3 Rat Tomago 5:15
B4 We Gotta Get Into Something Real 0:32
B5 Bobby Brown 2:43
B6 Rubber Shirt 2:58
B7 The Sheik Yerbouti Tango 2:44
C1 Baby Snakes 1:50
C2 Tryin' To Grow A Chin 3:32
C3 City Of Tiny Lites 5:30
C4 Dancin' Fool 3:43
C5 Jewish Princess 3:16
D1 Wild Love –[Clarinet – David Ocker ] 4:10
D2 Yo' Mama 12:38
PERSONNEL:
Frank Zappa – Lead Guitar, Vocals, Arranger, Composer, Producer, Remixing
Adrian Belew – Rhythm Guitar, Vocals, Bob Dylan impersonation
Patrick O'Hearn – Bass, Vocals
Terry Bozzio – Drums, Vocals
Davey Moire – Vocals, Engineer
Ed Mann – Percussion, Vocals
Tommy Mars – Keyboards, Backing Vocals
Andre Lewis – Keyboards, Backing Vocals
Napoleon Murphy Brock – Backing Vocals
Randy Thornton – Backing Vocals
Peter Wolf – Keyboards, Butter, Flora Margarine
David Ocker – Clarinet
COMMENT:
Review: by Steve Huey
In order to finance his artier excursions, which increasingly required more expensive technology, Frank Zappa recorded several collections of guitar- and song-oriented material in the late '70s and early '80s, which generally concentrated on the bawdy lyrical themes many fans had come to expect and enjoy in concert. Sheik Yerbouti (two LPs, one CD) was one of the first and most successful of these albums, garnering attention for such tracks as the Grammy-nominated disco satire "Dancin' Fool," the controversial "Jewish Princess," and the equally controversial "Bobby Brown Goes Down," a song about gay S&M that became a substantial hit in European clubs. While Zappa's attitude on the latter two tracks was even more politically incorrect than usual for him, it didn't stop the album from becoming his second-highest charting ever. Social satire, leering sexual preoccupations, and tight, melodic songs dominated the rest of the record as well, as Zappa stuck to what had been commercially successful for him in the past. The "dumb entertainment" (as Zappa liked to describe this style) on Sheik Yerbouti was some of his dumbest, for better or worse, and the music was undeniably good -- easily some of his best since Apostrophe, and certainly the most accessible. Even if it sometimes drifts a bit, fans of Zappa's '70s work will find Sheik Yerbouti on nearly an equal level with Apostrophe and Over-Nite Sensation, both in terms of humor and musical quality.

Biography: by William Ruhlmann
Frank Zappa was one of the most accomplished composers of the rock era; his music combines an understanding of and appreciation for such contemporary classical figures as Stravinsky, Stockhausen, and Varèse with an affection for late-'50s doo wop rock & roll and a facility for the guitar-heavy rock that dominated pop in the '70s. But Zappa was also a satirist whose reserves of scorn seemed bottomless and whose wicked sense of humor and absurdity have delighted his numerous fans, even when his lyrics crossed over the broadest bounds of taste. Finally, Zappa was perhaps the most prolific record-maker of his time, turning out massive amounts of music on his own Barking Pumpkin label and through distribution deals with Rykodisc and Rhino after long, unhappy associations with industry giants like Warner Brothers and the now-defunct MGM.

Zappa became interested in music early and pursued his studies in school, up through a six-month stint at Chaffey College in Alta Loma, CA. He scored a couple of low-budget films and used the money to buy a low-budget recording studio. In 1964, he joined a local band called the Soul Giants, which, over the course of the next two years, evolved into the Mothers, who played songs written by Zappa. The band was signed to the Verve division of MGM by producer Tom Wilson in 1966 and recorded its first album, a two-LP set called Freak Out!, which introduced Zappa's interests in both serious music and pop as well as his scathing wit. (Verve insisted on adding "of Invention" to the band's name.)

Subsequent albums extended the musical and lyrical themes of the debut, and they came frequently. Three albums, for example, hit the charts in 1968: We're Only in It for the Money, a Mothers album that made fun of hippies and Sgt. Pepper; Lumpy Gravy, a Zappa solo album recorded with an orchestra; and Cruising With Ruben & the Jets, on which the Mothers played neo-doo wop. Toward the end of the '60s, Zappa expanded the Mothers lineup, turning more toward instrumental jazz-rock, much of which displayed his technically accomplished guitar playing. But by the end of the decade, he had broken up the band.

In 1970, however, Zappa reassembled a new edition of the Mothers, featuring former Turtles lead singers Mark Volman and Howard Kaylan as frontmen. The lineup moved the group more in the direction of X-rated comedy, notably on the album Fillmore East: June 1971, but it was short-lived: during a performance at the Rainbow Theatre in London, Zappa was pushed from the stage by a demented fan and seriously injured.

While he recovered, Zappa released several albums, then he re-formed the Mothers with himself as lead singer and made pop/rock albums such as Over-nite Sensation that were among his best-selling records ever. By the end of the '70s, Zappa was recording on his own labels, distributed in some cases by the majors, and he had attracted a consistent cult following for both his humor and his complex music. (Zappa's band, in fact, became a training ground for high-quality rock musicians, much as Miles Davis' was for jazz players.)

In the '80s, Zappa gained the rights to his old albums and began to reissue them, at first on his own and then through the pioneering Rykodisc CD label. He wrote his autobiography and embarked on a world tour in 1988. That was the end of his live performing, except for such isolated appearances as one in Czechoslovakia at the invitation of its post-Communist president, Zappa fan Vaclav Havel. In late 1991, it was confirmed that Zappa was seriously ill with cancer. Nevertheless, his schedule of album releases continued to be rapid. Zappa died in December of 1993, with a number of posthumous releases to follow.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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