FLEETWOOD MAC THEN PLAY ON UK REPRISE ORIGINAL A1 FIRST

	£		53
	$		70

An Important Foreword Regarding Condition & Grading: Regular visitors to my listings will know that I offer albums that range from very good to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is  outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual grading and check that you are satisfied before placing your bid.

Specific notes concerning this album: I have changed the format of my listings slightly in order to highlight specific aspects of the condition of the albums I am offering for sale. I hope that this ‘headlining’ will prevent bidders from overlooking key points in their evaluation. This particular album has been played occasionally over the years and it shows some signs of use, but it has avoided the excess wear and tear frequently displayed by original examples of ‘THEN PLAY ON’. The UK original non laminated gatefold cover has minor age related characteristics, slight fraying at the ‘open’ entry and some evidence of storage and handling, but there is no damage and it is exceptional for its type. There is a little rub wear but far less than is found on most examples you may find, a few small barely visible stains and indents - and a light crease across the top left corner which shows through slightly on to the centre spread - but it comfortably makes the excellent grade. The original UK first press vinyl has a few light surface brush lines and marks caused by bag movement and light stylus contact, nothing that can be felt with light fingertip touch and nothing that sounds in play and they have no substantive audio consequence. Overall there are no significant blemishes or flaws and, in my experience, it grades and plays as a thoroughly excellent or better example.

Album / Record Title: THEN PLAY ON

Rarity: VERY RARE - Various examples of this album appear for sale from time to time but RARELY like this. One of the earliest 1969 UK FIRST PRESSINGS with FIRST MATRICES the FIRST MOTHERS and VERY EARLY STAMPER CODES on an IMPRESSIVE 155 gramme SUPER HEAVYWEIGHT VINYL IN EXCELLENT TO PLUS CONDITION with the ORIGINAL REPRISE TRI-COLOUR Riverboat label; which makes it the RAREST UK VARIANT (later versions were re-pressed and re-issued on the tan label, some with ‘K’ catalogue references, and different covers).  This is the only genuine UK ORIGINAL variant including the CAPTIVATING ORIGINAL GARROD & LOFTHOUSE gatefold cover - it would be difficult to find a better example than this.

The key features are listed below:

• COMPLETE ORIGINAL UK ALBUM FIRST PRESS AND FIRST ISSUE
• FIRST MATRICES, FIRST MOTHERS, EARLY STAMPERS & ‘KT’
• SUPERB HEAVYWEIGHT VINYL IN FULL EXCELLENT CONDITION
• STEREO RECORDING FORMAT DELIVERING SENSATIONAL AUDIO
• ORIGINAL REPRISE CREAM / GREEN / GOLD RIVERBOAT LABEL
• ORIGINAL UK GATEFOLD COVER BY GARROD & LOFTHOUSE
• ORIGINAL ‘FOREIGN PATENTS PENDING’ POLY-LINED INNER
• EXTREMELY DIFFICULT TO FIND VARIANT OF A GREAT ALBUM

Artiste(s): FLEETWOOD MAC - Peter Green, Mick Fleetwood, John McVie, Jeremy Spencer, Danny Kirwan plus Christine Perfect (not credited but guests on piano) and Walter Horton (not credited for harmonica)

Produced By: Fleetwood Mac with Martin Birch (Recording Engineer)

Disc Format & Playing Speed: 12” LP & 33 1/3 r.p.m.

Recording Format: STEREO

Record label: ORIGINAL REPRISE TRI-COLOUR CREAM / GREEN / GOLD RIVERBOAT LOGO WITH BLACK PRINT

Catalogue Number: RSLP 9000

Country of origin and first published date: Made in England 1969

Vinyl ‘run off’ matrices side 1:     RSLP 9000 A1-wH (machine stamped)

Vinyl ‘run off’ matrices side 2:     RSLP 9000 B1-wH (machine stamped)

Vinyl ‘run off’ mother / stamper codes side 1:    1  A L  (hand etched)

Vinyl ‘run off’ mother / stamper codes side 2:    1  A J   (hand etched)

Vinyl ‘run off’ initials / cryptic / other side 1:  KT (purchase tax code - hand etched)

Vinyl ‘run off’ initials / cryptic / other side 2:  KT (purchase tax code - hand etched)

N.B. Please note that all matrices, mothers and stampers quoted in my listings are machine imprinted except where I state an alternative method next to them.

Track listing as per label: SIDE 1: COMING YOUR WAY / CLOSING MY EYES / FIGHTING FOR MADGE / WHEN YOU SAY / SHOW-BIZ BLUES / UNDER WAY / ONE SUNNY DAY / SIDE 2: ALTHOUGH THE SUN IS SHINING / RATTLESNAKE SHAKE / WITHOUT YOU / SEARCHING FOR MADGE / MY DREAM / LIKE CRYING / BEFORE THE BEGINNING

Background and summary of condition: The fourth Fleetwood Mac album, the last with Peter Green and Jeremy Spencer and many say their best. This is the album that really marks the move from their more traditional blues roots to blues based progressive rock demonstrating their versatility and virtuoso talents. I have listened to it hundreds of times during the past 40 years and still look forward to listening to it with as much enthusiasm and anticipation as I did when I bought it on first release in 1969. This is an excellent example and VERY MUCH RARER than it may seem to be – until you try and find one in a comparable condition. This one is a particularly scarce FIRST UK PRESSING, one of the earliest, on the classic original ‘tricolour’ cream, green and yellow or gold Reprise Riverboat label, just take a look at the FIRST MATRICES, FIRST MOTHERS & VERY EARLY STAMPER CODES with the ‘KT’ tax coding, and they are on a solid 155 gramme HEAVY VINYL, a genuine piece of audio engineering - credentials don’t come any better than this. The Garrod & Lofthouse gatefold cover with beautiful artwork is showing signs of wear and it has some minor blemishes, but they are certainly not spoilers. This is a highly enjoyable album in every way, and well worth serious interest.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2008’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either a PLUS or a MINUS to indicate slight variations either side of a grade). I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Vinyl Visual side 1: EXCELLENT, some superficial surface bag movement lines and light marks, a few light brush lines caused by light stylus contact, not tangible, no significant audio consequence.

Vinyl Visual side 2: EXCELLENT, some superficial surface bag movement lines and light marks, a few light brush lines caused by light stylus contact, not tangible, no significant audio consequence.

Label Visual side 1: EXCELLENT, some light spindle lines and evidence of handling, a few small spots but no marks, no scuffs, no tears, no apparent spindle hole wear.

Label Visual side 2: EXCELLENT, some light spindle lines and evidence of handling, a few small spots but no marks, no scuffs, no tears, no apparent spindle hole wear.

N.B. Please note that I make no adjustment or allowance in grading for minor marks, slight shrinkage marks / bubbles or misalignment on labels caused in manufacture; they are benign, quite normal and, in my opinion, original individual characteristics – not defects.

Outer Cover: NEAR EXCELLENT, a classic ‘continuous theme’ gatefold cover of mid-weight card construction, front edge sealed, Printed and made by Garrod & Lofthouse Ltd., non-laminated which leaves it prone to rub wear but this one has been carefully handled and resilient over the years. There is slight surface rub wear on the back face caused by general handling and shelf movement over time which, in part, mimics the outer edge of the vinyl. There's minor edge and corner rub wear, some small faint marks which are barely visible and a few mini-dents at the open edge where the vinyl enters and a light crease across the top left corner which shows through slightly on to the centre spread - but, do not underestimate it - this cover is highly presentable and the centre spread is superb with just light interface pick-up, slight discolouration and minimal evidence of light handling. Please take a good look at the super-sized photographs and make your own assessment as well

Spine: EXCELLENT, slightly discoloured and lightly compressed with a little rub wear to the top/bottom corners, a few minor scuffs and indents, but overall a very tidy spine; the originals do not have any titles, catalogue numbers or other print on the spine so as not to interfere with the ‘continuous theme’.

Inner Sleeve: VERY GOOD PLUS, era specific original plain white paper with just blue printed UK Patent number and Foreign Patents Pending, fitted with antistatic poly-liner, minor fraying and a small tear at the entry edge, slightly creased and lightly discoloured through normal ageing.

Vinyl Warp: none visible when eye tested on a moving turntable.

Vinyl Weight: 155 grammes (a remarkable REPRISE heavyweight)

Play Grade: I consider all aspects of an albums condition and grading to be highly important and I place particular emphasis on the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. It is quite possible with vinyl to experience great ‘clarity’ and reality without the sound being exceptionally ‘clean’ - that’s ok with me, but it may not satisfy the audiophile. So, a NEAR MINT & NEAR MINT will be the best grade with VERY GOOD PLUS & VERY GOOD PLUS or better being highly satisfactory.

For CLARITY the audio from this vinyl grades: EXCELLENT

For CLEANLINESS the audio from this vinyl grades: NEAR EXCELLENT

Audio Performance: THE MUSICAL ‘LANDSCAPE’ OF THIS ALBUM IS REMARKABLE AND MAKES IT SO CAPTIVATING AND COMPELLING FOR ME - I COULD PLAY GRADE IT EVERY DAY WITH TOTAL ENJOYMENT. THE AUDIO FROM THIS VINYL IS DELIVERED WITH GREAT CLARITY, AND PETER GREENS GUITAR PLAYING FLOWS LIKE A LIQUID, SMOOTH, SUBTLE AND CAPTIVATING - NOT TO OVERLOOK THE EXCEPTIONAL PERFORMANCES OF HIS FELLOW MUSICIANS. THERE IS SOME LOW LEVEL SURFACE SOUND ON THE QUIETER SECTIONS, A LITTLE LIGHT CRACKLE AND AN OCCASIONAL SOFT TICK, BUT NOTHING INTRUSIVE OR IRRITATING. I ALWAYS ASK VISITORS TO MY LISTINGS TO BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, OCCASIONALLY A LITTLE CRACKLE WHICH IS OFTEN LIGHT STATIC, AND EVEN A RANDOM TICK - BUT THIS IS SENSATIONAL AND STIMULATING AUDIO FROM A TOP QUALITY VINYL AND, IN MY OPINION, SOME OF THE BEST MUSIC FROM THE GENRE.

Other: This is a lovely example of an absolutely brilliant album with a very presentable gatefold and impressive vinyl. If you are looking for a copy to have, play and enjoy I am sure you will be delighted by this.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

GENERAL NOTES

Thank you for visiting my listing. The section immediately above sets out information specific to the particular album / record offered in this listing. Below are some of my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular ‘mother’; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first ‘mother(s)’ and early ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; the label and / or cover may have very slight changes, if they were made within the first production run or, if the album was issued with an ‘in run’ label change or choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: In many cases inexperienced sellers claim first pressing status without knowledge or evidence in the hope of achieving high prices – experienced buyers will know better and avoid those offers. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings. Also, in cases where demand was sustained or emerging the first press run was maintained over an extended release period; in other cases the first press run was specific. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test, promo or industry pressings so the commercial releases started at ‘2’ or even higher, and there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. Sometimes different symbols were used in the matrices; these may indicate an earlier pressing, a contract pressing or just simply a change of format. For example some records have A61 & B61 others A // 1 & B // 1 others A-1 & B-1 and so on. In these cases the mother and stamper references can help with establishing the proximity of an individual record to the original recording – each different record company had their own coding system, some using letters from words to indicate numbers, others just using numbers. Better known examples include GRAMOPHLTD & BUCKINGHAM – used by EMI and DECCA respectively. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable – hopefully the sellers will also include the ‘zoom’ and ‘enlarge’ photograph facility which only costs pennies to include and it remains a mystery to me as to why many avoid this service?). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Please Note: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play a ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. I will only dispatch using a fully insured Signed-for delivery service; if this is not acceptable please do not bid on any of my listings.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. As stated in the previous paragraph for overseas deliveries I will also only dispatch to UK destinations using a fully insured Signed-for delivery service; if this is not acceptable please do not bid on any of my listings.

Postal insurance is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance such as premiums to cover non-standard risks or consequential losses are available on request.

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs above to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Zoom or Enlarge’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.