FATBACK BAND "KEEP ON STEPPING" EVENT#6902 ('74) HEAR
$
31
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Description
LABELS CONDITIONS: SEE SCAN : NM COVER CONDITION : SEE SCAN : NM (SawCut)
REMARKS: A GREAT FUNKY DANCER......ORIGINAL EVENT PRESSING!
The Fatback Band (later, simply Fatback) is an American funk and disco band. Most popular in the 1970s and 1980s, The Fatback Band is most known for their Top Ten R&B hits, "(Do The) Spanish Hustle", "I Like Girls", "Gotta Get My Hands on Some (Money)", and "Backstrokin'". Their 1979 single "King Tim III (Personality Jock)" is considered by many to be the first rap single.
Formed in New York City in 1970, The Fatback Band was the concept of Bill Curtis, an experienced session drummer, inspired to merge the "fatback" jazz beat of New Orleans into a funk band. In addition to Curtis, the band's initial line-up included guitarist Johnny King, bassist Johnny Flippin, trumpet player George Williams, saxophonist Earl Shelton, flautist George Adams, and keyboardist Gerry Thomas. The band specialized in playing "street funk". The group also later included conga player Wayne Woolford, vocalists Jayne and Gerry, Deborah Cooper saxophonist Fred Demerey, guitarist Louis Wright and George Victory.
The Fatback Band signed to Perception Records and had a hit single that summer with "Street Dance". The single reached the Top 30 on the Rhythm & Blues chart but failed to cross over to the pop chart, a pattern the group would follow for the rest of their career. The band released the albums Let's Do It Again, People Music, and Feel My Soul before signing to Event Records in 1974.
In the mid-1970s, the band incorporated jazz elements and moved more towards a disco sound resulting in the singles, "Keep On Steppin'", "Yum, Yum (Give Me Some)", and "(Are You Ready) Do The Bus Stop". The singles proved popular in dance clubs but didn't do as well on R&B charts until the spring of 1976 when "(Do The) Spanish Hustle" came close to the Top Ten. "(Are You Ready) Do The Bus Stop" birthed the development of line dancing.
Now recording for Spring/Polydor, the group continued with the singles, "Party Time", "The Booty", and "Double Dutch". Late 1977 brought a name change to Fatback, and in 1978 they found their first Top Ten single with "I Like Girls". The song "King Tim III (Personality Jock)" is often considered to be the first commercially released rap single, having shipped just a week before The Sugarhill Gang's "Rapper's Delight" in October 1979.
In 1980, Fatback had a pair of their biggest hits with "Gotta Get My Hands On Some (Money)" and "Backstrokin'". Also finding the charts in the 1980s were "Take It Any Way You Can't It", "I Found Lovin'", and "Spread Love", with singer Evelyn Thomas, in 1985. Whilst American pop success proved elusive, the group made regular appearances on the UK pop charts, including the Top Ten twice with "(Do The) Spanish Hustle" and "I Found Lovin'", the latter considered something of a signature tune for the band and still a favourite among clubbers.
Keyboardist Gerry Thomas was simultaneously a member of The Jimmy Castor Bunch, so the band elected to remain close to the New York area instead of extensive touring. They had substantial success in South America, especially in Brazil (with "Money", and "Backstrokin'"). The band is still currently touring and actively recording new material. Upcoming shows are slated to include such dynamic acts as George Clinton, Maceo Parker, and the inimitable Ethan "Fat Powder" Page.
MORE THAN 1,000 ORIGINAL PRESSING LPs found ( FROM A DEALER THAT ACQUIRED THE RECORDS FROM A MIAMI’s CAMELOT RECORD STORE THAT CLOSED IN 1976) NM, SOUL, FUNK, ROCK, DISCO & SALSA!!! !MOST LOOK UNPLAYED!!!! Keep Watching CAF1942 as the EBAY SELLER!
1- Mr. Bass Man 3:22
2- Stuff 5:00
3- New York Style 5:29
4- Love 3:43
5- Can't Fight The Flame 3:09
TRACKS SIDE B:
1- Wicki Wacky 3:20
2- Feeling 2:53
3- Keep On Steppin' 4:21
4- Breaking Up Is Hard To Do 3:39
Partial Singles Discography:
"Soul March" (1973), Perception - #69 R&B
"Street Dance" (1973), Perception - #26 R&B
"Njia (Nija) Walk" (1973), Perception - #56 R&B
"Keep On Steppin'" (1974), Event - #50 R&B
Bill Curtis (drums)
George Williams (trumpet)
Johnny King (guitar)
Johnny Flippin (bass)
Earl Shelton (saxophone)
and George Adam (flute)
WEB REMARKS: GREAT!!! UNPLAYED!!!!
Please Follow The Shipping Rates Below:
LPs
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Air Mail Europe
$13.75
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Air Mail Asia
$13.75
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Air Mail Caribbean
$12.00
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Air Mail South America
$12.50
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If Buying More Than 3 Records We Will Inform You The Shipping & Handling....We do combine shipping for multiple purchases.
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$1.75 ................ $0.01 to $50
$2.25 ................ $50.01 to $100
$2.75 ................ $100.01 to $200
* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly (in Grading “disputes” Return Shipping Not Included). We will issue a full refund upon its return, once our mistake has been verified.
You must contact us within 2 days of receiving item to qualify for a refund.
Item must be returned within 3 days.
Item must be returned in same condition as it was received.
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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other) and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!
RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"
MINT: Unplayed, still sealed.
NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM COVERS:
have no creases, ring wear or seam splits of any kind.
Picture Sleeves: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.
VG++ (Excellent) RECORDS:
Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VG+ RECORDS:
may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ COVERS:
should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.
VG RECORDS:
They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or stamped a price tag on it, too.
RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"
Items are to be paid within 5 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL 34639
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