FALL OUT BOY - From Under The Cork Tree (20th Anniversary Edition) - Vinyl (LP)
  £   32
  $   42

 


£ 32 Sold For
Dec 12, 2025 Sold Date
Nov 27, 2025 Start Date
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FALL OUT BOY

From Under The Cork Tree (20th Anniversary Edition)

UMR

limited gatefold gold & black ice vinyl LP with obi-strip (indie exclusive) Cat: 787469 3
Rel: 13 Oct 25
Indie/Alternative Side 1 - Track 1. Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued Side 1 - Track 2. Of All The Gin Joints In All The World Side 1 - Track 3. Dance, Dance Side 1 - Track 4. Sugar, We're Goin Down Side 1 - Track 5. Nobody Puts Baby In The Corner Side 1 - Track 6. I've Got A Dark Alley & A Bad Idea That Says You Should Shut Your Mouth (Summer Song) Side 1 - Track 7. Minutes In Heaven (Atavan Halen) Side 2 - Track 1. Sophomore Slump Or Comeback Of The Year Side 2 - Track 2. Champagne For My Real Friends, Real Pain For My Sham Friends Side 2 - Track 3. I Slept With Someone In Fall Out Boy & All I Got Was This Stupid Song Written About Me Side 2 - Track 4. A Little Less Sixteen Candles, A Little More "Touch Me" Side 2 - Track 5. Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene & Stop Going To Shows) Side 2 - Track 6. XO

Chicago band Fall Out Boy's second album marked their leap from cult status into full-blown mainstream, a blast of pop-punk that carried emo's sharp wit and suburban angst into the charts. Remastered and newly pressed to single vinyl, it still bristles with hooks and bratty charm. 'Sugar, We're Goin Down' and 'Dance, Dance' remain the calling cards - both built around Joe Trohman's churning guitars and Patrick Stump's elastic vocals - but the deep cuts underline why this record hit so hard. 'Nobody Puts Baby in the Corner' balances jagged riffs with wounded melodrama, 'Sophomore Slump or Comeback of the Year' sneers with meta self-awareness, and 'A Little Less Sixteen Candles, A Little More "Touch Me"' sharpens the band's knack for theatrical choruses. Revisiting it now, the energy feels undimmed: a brash, hyper-verbal statement of intent that defined mid-2000s pop-punk and set the template for the band's rise beyond the Warped Tour circuit.


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