FAITH NO MORE  ,THE REAL THING , SLASH ,LONDON RECORDS. 

                                                Faith No More ?– The Real Thing

                               VINYL IS VERY GOOD ( VERY LIGHT SURFACE MARKS),                                    INNER SLEEVE IS VERY GOOD,COVER IS VERY GOOD 

Label: Slash ?– 828 154-1, London Records ?– 828 154-1 Format: Vinyl, LP, Album 
Country: UK Released: 16 Jul 1989 Genre: Electronic, Rock Style: Alternative Rock

Tracklist

A1 From Out Of Nowhere 3:19 A2 Epic 4:51 A3 Falling To Pieces 5:12 A4 Surprise! You're Dead! 2:26 A5 Zombie Eaters 5:57 B1 The Real Thing 8:10 B2 Underwater Love 3:50 B3 The Morning After 3:40 B4 Woodpecker From Mars 5:38

Companies, etc.

• Phonographic Copyright (p) – Slash Records
• Copyright (c) – Slash Records
• Published By – Rondor Music (London) Ltd.
• Recorded At – Studio D
• Mixed At – Blue Canyon (2)
• Mastered At – K Disc Mastering
• Pressed By – EMI Records

Credits

• Art Direction – Jeff Price (2)
• Bass – Bill Gould*
• Drums – Mike Bordin
• Engineer [Assitant] – Craig Doubet
• Engineer, Engineer [Assitant] – Jim "Watts" Vereecke
• Engineer, Producer – Matt Wallace
• Guitar – Jim Martin
• Keyboards – Roddy Bottum
• Management [Career Direction] – John Vassiliou, Warren Entner
• Mastered By – John Golden
• Photography By – Lendon Flanagan
• Vocals – Michael Patton*
• Written-By, Producer – Faith No More

Notes

This edition is very similar to the European Version. This version has red and white labels and does not indicate the county of its manufacture.

The European version has black and silver labels stating "Made in Holland" and its sleeve has the artist, title, catalogue number and labels printed along the top edge of the sleeve as well as the spine.

Recorded December 1988 at Studio D, Sausalito.
Mixed January 1989 at Blue Canyon, Studio City.
Mastered at K-Disc, Los Angeles.

Career Direction: Warren Entner/John Vassiliou for W.E.M.

All tracks Rondor Music (London) Ltd.

?1989 Slash Records.
©1989 Slash Records.

Barcode and Other Identifiers

• Barcode (As printed): 0 42282 81541 5
• Barcode (Scanned UPC A): 042282815415
• Matrix / Runout (Variant 1, machine stamped runout side A): 8281541 A1U-1-1
• Matrix / Runout (Variant 1, machine stamped runout side B): 8281541 B-1U-1-1
• Matrix / Runout (Variant 2, machine stamped runout side A): 8281541 A-2U-1-1
• Matrix / Runout (Variant 2, machine stamped runout side B): 8281541 B-1U-1-1
• Matrix / Runout (Variant 3,machine stamped runout side A): 8281541 A-1U-1-2
• Matrix / Runout (Variant 3,machine stamped runout side B): 8281541 B-1U-1-1
• Matrix / Runout (Face label side A): PACLZ 4205
• Matrix / Runout (Face label side B): PACLZ 4206
• Other (Distribution code): BA 281
• Label Code: LC 7654

         Record Collector Magazine's Grading Guide:

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."

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