English As A Second Language (Talking Package) 2xLP NM 1983 Vinyl

$

64

English as a Second Language (Talking Package) LP NM 1983 Vinyl Freeway Records. Condition is Used. Shipped with USPS Media Mail.

Various ?– English As A Second Language (Talking Package)

Label:  Freeway Records ?– E 1031, Enigma Records (3) ?– E 1031

Format:  2 × Vinyl, LP, Album

Country:  US

Released:  1983

Genre:  Rock, Non-Music

Style:  Alternative Rock, Spoken Word, Poetry

Tracklist

A1

–Dave Drive, Axxel G. Reese

Crudo For The Menudo

Arranged By – Dave Fernandez (3)Synthesizer – Jonathan Ives

1:16

A2

–Ralph Flores

Aztec Haiku

Producer – Ethan JamesVocals, Synthesizer – Ralph Flores

1:15

A3

–Charles Bukowski

What Have I Seen

Producer – Denny Bruce (2)

1:18

A4

–Miles Ciletti

Friends

1:13

A5

–Wanda Coleman

They Came Knocking On My Door At 7 A.M.

0:50

A6

–Chuck Dukowski

SWA Manifesto

Acoustic Guitar – Chuck DukowskiProducer – Chuck Dukowski, Henry Rollins

2:45

A7

–Mike Watt

My Life Up To This Minute

Bass – Mike Watt

1:54

A8

–John Doe (2)

That Day Comes When

1:22

A9

–Jeffrey Lee Pierce

Blacks

0:48

A10

–Clayton Clark

Visions Of Muhammad Ali

0:21

A11

–Scott Goddard

Nikita Krushchev

Drums [Rhythm Box], Guitar – Scott Goddard

1:27

A12

–Harry Northup*

I Kneel Before Santa Monica

Vocals [Phone Jones] – Michael C. Ford

0:17

A13

–Luis Campos

Fruit Cocktail

0:17

A14

–Dennis Cooper

Seven Poets Chosen By John Ashberry (Dedicated To Tim Dlugos)

Instruments [All], Arranged By, Backing Vocals – Ethan JamesProducer – Ethan James, Harvey Kubernik*

2:17

A15

–Dave Alvin

I Don't Sweat

0:41

A16

–Jane Bond & The Undercovermen

Heartbeats In Westwood

Piano, Synthesizer – Ethan JamesProducer – Ethan JamesVocals – Lisa Mitchell (3)

3:11

A17

–Phast Phreddie

Lady Bird (Dedicated To Sam)

1:20

A18

–Madeline Ridley

Monitoring Madeline For Two Decades And Other Stories

1:15

A19

–Thea Other

Growing Up On San Diego Freeway

0:59

A20

–Lee Bertram Lurie*

Track Hound And Tax Dog

1:04

A21

–Tito Larriva

Touch For Cash

Sounds [Room Tones and Highland Noises] – Michael Hamilton

1:24

A22

–Pooch, Al, Pete

Famous Last Words

Effects [Laughing Box] – Rusty CusickProducer – Pat DiPuccio

1:24

B1

–Gary Stewart (4)

Mar Vista Man Grows Up

0:26

B2

–Alisa Alvarez

She Didn't Even Pay This Month's Rent

Effects [Sound Effects, Body Sounds] – Alisa Alvarez, Ethan JamesProducer – Ethan James

1:13

B3

–Dave Alvin

Old White Woman On Vermont

0:31

B4

–Richard Meltzer

Goodbye Pork Pie Cravat

1:10

B5

–Kim Rosenfield

Four Selections From The Book 'Some Of Us'

Performer [Prophet 5, Rev 3mxr Pedals, Analog, Flange, Chorus] – Marina Del ReyProducer – Harvey Kubernik*, Marina Del Rey

3:17

B6

–David Roback

Dinnertime Blues

Performer [Drills], Loops [Tape Loops], Synthesizer, Drum Machine, Producer – Ethan James

0:54

B7

–Walter Lacey

Rock And Roll Dream

Bass – Jose PhillipsDrums – Tony TeresiKeyboards – David "Hawk" WolinskiProducer – Mike Julian, Tim Lane (5)Saxophone – Gary HerbigVocals – Walter Lacey

2:45

B8

–Exene Cervenka

Percy Mayfield

0:25

B9

–Eddie Call

Gimme A Break

Congas, Drums [Roto Tom], Drum Machine, Percussion, Producer – Eddie Call, Ethan James, Harvey Kubernik*

1:07

B10

–Dennis Cooper

A Selection From The Prose Piece A Herd

2:57

B11

–Michael C. Ford

Autograph

Bass – Michael C. FordDrums – Bruce KingPiano – John Locke

1:25

B12

–Jack Hampton

Unfurl The Black Flag John Haag

0:40

B13

–Henry Rollins

Henry

3:19

B14

–Ivan E. Roth

Beach Party Post

Instruments [All], Arranged By – Ethan JamesProducer – Ethan James, Harvey Kubernik*

1:34

B15

–Nancy Lopez

Virginia Ave.

0:14

B16

–Therese Covarrubias*

East Side Story

2:30

B17

–Steve Wynn

Here On Earth As Well

Bass, Guitar, Producer – Steve Wynn

2:23

B18

–Bill Inglot

The Retirement Of Badge 714/Favorite Group/Problem

2:23

C1

–Shredder (3)

Battleship To Heaven

0:50

C2

–Craig Leon, Wanda Coleman, Ivan E. Roth

Poets On Planet Sushi

Producer – Craig Leon, Ethan James, Harvey Kubernik*Synthesizer [Prophet 5] – Craig Leon

0:57

C3

–David James (17)

After The Revolution

2:23

C4

–Jackson Del Rey

On The Prowl

Bass, Producer – Jackson Del Rey

0:43

C5

–Deborah Patino

The Mountain

1:57

C6

–Age Of Consent

Fight Back Rap

Drum Machine [Rhythm Box], Bass, Producer – Paul Eckman

3:05

C7

–Exene Cervenka

Evangelical Hootenanny Alligator Fortune Teller

0:33

C8

–D. Boon

My Part

Acoustic Guitar, Songwriter, Vocals – D. Boon

1:00

C9

–Chuck Dukowski

Laughing Sam's Dice Rolled Thirty Six Times

0:53

C10

–Joe Nolte

Falling Out

Acoustic Guitar [12 String] – Joe Nolte

2:30

C11

–Michael C. Ford

Highway Retrospect

1:42

C12

–Wanda Coleman

Bad Night

Bass, Synthesizer, Drum Machine, Piano, Arranged By [All Instrumentals], Performer – Ethan JamesProducer – Ethan James, Harvey Kubernik*

1:07

C13

–Austin Straus

Death Camp

1:15

C14

–Michelle T. Clinton

High Blood Pressure

1:53

C15

–Chris D.

All I Have

Backing Vocals – B. HouseVoice, Words By, Music By, Guitar [Japanese Style Glass Guitar], Producer – Chris D.

2:49

C16

–David Rostamo

Culture Vulture

Percussion [Pots And Pans] – Debbie "Killer" Melford*Performer [Cult Poet], Synthesizer – Aldo HernandezVocals [Additional] – Crystal Cross, Debbie "Killer" Melford*

2:49

C17

–Chris Morris

R.T.D. Boogie

Electric Guitar – Harlan Hollander

3:40

D1

–Tuff Muffin

It Isn't Very Romantic, Is It?

Arranged By, Edited By – Dennis Dragon

3:11

D2

–Chuck Dukowski And Henry Rollins

D.S.Y

Producer – Chuck Dukowski, Henry Rollins

0:29

D3

–Tequila Mockingbird

i felt so poor that i typed in lower case

0:40

D4

–Garth & Donna

How Do You Know We're Acting?

Sounds [Laugh and Applause Tracks] – Ethan James

2:54

D5

–Linda Albertano

Sabotage

Producer – Harvey Kubernik*, Laurette HaydenSynthesizer [Casio] – Linda Albertano

2:02

D6

–Velvert Turner

L.A. (A Reminder)

0:07

D7

–Wyline

Wyline Speaks Out

Written-By – Rosemarie Renee Patronette

0:26

D8

–Kim Fowley

Pagans Of West L.A. #2 / Return To The Planet Of The Apes

1:08

D9

–The Odyssey Girls

Monday At The Odyssey

Producer – Ethan James, Harvey Kubernik*, John J. Lafia

1:26

D10

–Dennis Dragon

Excerpt From The Harvey And Dennis Tapes

0:50

D11

–The Marina Swingers Featuring Frank (118)

U.S.C. Fight Song

Drum Machine – Eddie CallProducer – Eddie Call, Ethan James, Harvey Kubernik*, Jacques DulongSynthesizer – Estaban Winters, Jacques DulongVocals – Frank (118)

2:14

D12

–Rich La Bonte*

Visions Of Jack

Producer – Deborah Patino

0:34

D13

–Margy Rochlin, Rosemarie Renee Patronette

Know Your Rights

Alto Saxophone – Richard GehrTape [Sound Efx], Didgeridoo – Lee Kaplan

1:20

D14

–John Trubee

Spiritual Insight

0:16

D15

–Vitus Mataré

Duet For Flute And Feedback

Producer – Vitus Mataré

0:40

D16

–Rodney Bingenheimer

Are There Any Girls Here?

Producer – Harvey Kubernik*, Rodney Bingenheimer

0:02

D17

–Susanna Hoffs

Are The Beatles Really Here? Los Angeles 1966

Guitar [6-string Rickenbacker] – Susanna Hoffs

2:39

D18

–John Doe (2)

Hearts

0:16

D19

–Celia Pierce

Funky Poet In The Palisades, Infection

1:32

D20

–Randall Kennedy In Reconstruction*

Enorma Jones

Bass – Mark NineGuitar – Marvin Elan Etzioni*Synthesizer, Percussion [Electronic] – ToneVocals – Randall Kennedy

1:36

D21

–No Peter

Dollars For Genes

Producer – Craig LeonWritten-By – Mary Cutler, Paul B. Cutler

1:08

D22

–Shredder (3), Miles Ciletti

Cahuenga Blvd., Flea Bite

0:22

D23

–Ivan E. Roth

Pico Robertson Insomnia

0:49

D24

–Scott Goddard

Marshall Unit

Written-By – Scott Goddard a.k.a. Robert Scott Goddard a.k.a. Little Scotty G. and possibly Little Billy and The Astros*

0:16

D25

–Don Bolles

Critique Of Modern Poetry

Producer – Paul B. Cutler

0:13

D26

–Ali Ben Anton Kline

Haerig - Buro - Gumsho

0:05

D27

–Harvey Robert Kubernik's Neighborhood Rhythm Method*

39th And Crenshaw

Advisor [Record Industry Advice], Percussion – Jan SeedmanBass, Percussion – Chuck DukowskiDrums, Percussion – Paul BodyGuitar [6-string Rickenbacker], Percussion – Susanna HoffsGuitar [Mosrite], Percussion – Eddie CallHarmonica, Percussion – Louie ListaSynthesizer – Drew SteeleTwelve-String Guitar [12-string Rickenbacker], Percussion – Joe NolteVocals, Percussion – Harvey Robert Kubernik

2:12

Companies, etc.

• Copyright (c) – Freeway Records
• Phonographic Copyright (p) – Freeway Records
• Marketed By – Enigma Records (3)
• Mastered At – Capitol Mastering

Credits

• Art Direction – Heather Harris (3)
• Design [Cover Illustration] – Raymond Pettibon
• Mastered By – Eddy Schreyer
• Producer, Compiled By, Sequenced By – Harvey Robert Kubernik

Barcode and Other Identifiers

• Matrix / Runout (Runout A, etched): FREEWAY RECORDS ? SILVERLAKE PANTRY ES S-11056 1-1 SLM ?5104
• Matrix / Runout (Runout B, etched): FREEWAY RECORDS ? CULVER CITY AKI ES S-11057 1-1 SLM ?5104-X
• Matrix / Runout (Runout C, etched): FREEWAY RECORDS ? FAIRFAX AND BEVERLY HILLS DAMAGE ES S-11058 SLM ?5105 1-1
• Matrix / Runout (Runout D, etched): FREEWAY RECORDS ? HOLLYWOOD, WESTWOOD , BEACH VIBES SPAGO ES S-11059 SLM ?5105-X 1-1
• Matrix / Runout (Runouts A-D, stamped): MASTERED BY CAPITOL

Goldmine Standard Grading

Near Mint (NM or M-)

A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

Very Good Plus (VG+) 

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint. 

Very Good (VG)

Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Label may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.

Good (G), Good Plus (G+) 

Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

Poor (P), Fair (F)

Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.