ELVIS PRESLEY A DATE W/ELVIS VERY RARE ORIG'59 RCA MONO LP W/SINGLE-POCKET COVER

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·       ELVIS PRESLEY - A DATE WITH ELVIS - ORIGINAL 1959 RCA VICTOR MONO LP LPM-2011

·       ORIGINAL U.S. PRESSING

·       SECOND VERSION OF THE COVER (THIS IS A SINGLE-POCKET COVER, NOT A GATEFOLD COVER)

·       ORIGINAL BLACK RCA VICTOR LABEL WITH "SILVER TOP" [RCA VICTOR’S NAME IS IN SILVER LETTERS], DOGGIE LOGO ON TOP CENTER OF THE LABEL, AND A SMALL "LONG PLAY" INSCRIPTION AT THE BOTTOM OF THE LABEL

·       DEEP GROOVE PRESSING

·       VERY RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING (ALTHOUGH THE COVER IS THE SECOND VERSION)

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Like its companion release (For LP Fans Only), A Date With Elvis has left varying impressions on different generations of Elvis Presley fans. If you were around in 1959, the first thing you probably noticed was that it was the gatefold jacket, with lots of really cool photos inside and out of Elvis Presley in uniform. Hearing this album -- which contained not a word about where or when the music on it was recorded -- one would have been struck by just how raw and lively the music was, more exciting, in fact, than the music on his last pre-Army LP release, the King Creole soundtrack. As they had with For LP Fans Only, RCA had assembled a "new" Elvis Presley album by reaching back to five of the best of his best Sun Records sides, augmented with a few songs left over from the Love Me Tender and Jailhouse Rock soundtrack EPs. The 1954-1955 recordings of "Milkcow Blues Boogie," "Good Rockin' Tonight," "Baby Let's Play House," etc., with their lean textures, frantic sound, and Scotty Moore's slashing lead guitar, were a far cry from anything heard on King Creole. It was the height of irony that the two "new" Elvis albums of 1959 gave national audiences their first real chance to plunge into the sound of the "old" Elvis of 1954-1955, when he was known as "The Memphis Flash" and "The Hillbilly Cat." A few years later, during the mid-/late-'60s, when some listeners started getting serious about Elvis' music, and others, born too late to have been buying the records in 1956, started discovering his work for the first time, the word got out about A Date With Elvis and For LP Fans Only -- that these were the real article, at least as worthwhile as the first two RCA albums and the easiest way to get the King's early Memphis sides. By the second half of the 1960s, A Date With Elvis and its packaging had become irrelevant to 99 percent of rock listeners, but serious fans grabbed up copies -- even Rolling Stone magazine recommended A Date With Elvis and For LP Fans Only (especially their mono pressings) in the course of guiding readers through the already confusing maze of his releases. By the late '70s, when the Sun material had been gathered together in a more orderly fashion, A Date With Elvis fell out of favor once again, and it has seemed superfluous for most of the time since, in terms of musical scholarship. But listening to it 46 years after its release, one is still hard-put to find too many albums that are more viscerally exciting; what's more, it is a reminder of how those Sun sides were best known for the first two decades after their release, and how they first got out to most of us. It's a keeper in any form, with special regard for the original mono vinyl pressings.  

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record comes in the original stock inner sleeve.

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has a partially split spine (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has some visible fraying/tattering on the top seam and spine

-        A visible water stain affects the area about 5 square inches in size  (VISIBLE MOSTLY ON BACK SIDE, ONLY SMALL STAIN VISIBLE ON THE FRONT)) ; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Cover has a visible wrinkle (crease) in the cardboard base on the front panel

-         Front cover has a small peel-off mark, probably from the careless removal of the price sticker  (less than ¼ square inch in size).

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Cover has two corners slightly worn / dinged  (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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