ECLECTION " ECLECTION " RARE 1968 ELEKTRA LABEL LP...EX

	£		22
	$		29

This is the rare and hard to find 1968 lp " eclection " by eclection on the elektra label ( ekl 4023 )

vinyl is in very good / excellent condition and it plays well

it comes in a gatefold sleeve which has some light creasing to the corners but is in very good condition

labels are in excellent condition with no marks or signs of spindle wear ....

matrix numbers are EKL 4023 A1 / EKL 4023 B-1

now a bit about the group....

Eclection were a British-based folk rock band, originally formed in 1967 in London by Norwegian-born Georg Kajanus (then known as Georg Hultgreen), Canadian Michael Rosen, Australians Trevor Lucas and Kerrilee Male, and Britisher Gerry Conway. They released one album on Elektra Records before singer Kerrilee Male left to be replaced by Dorris Henderson, but the group broke up in December 1969.

Rosen and Hultgreen met when Hultgreen - who had grown up in Canada - was playing songs in a Bayswater restaurant. They decided to form a group, and recruited Lucas, who had previously recorded in Australia, and in Britain as an accompanist to A. L. Lloyd,[1] after seeing him perform at the 1967 Cambridge Folk Festival. Lucas in turn recommended Kerrilee Male, who had previously worked as a singer with Dave Guard, formerly of The Kingston Trio, on his Australian TV show Dave's Place.[3] The four rehearsed together and acquired the name Eclection - a back-formation to describe their "eclectic" style and origins - at the suggestion of Joni Mitchell, who was playing folk clubs in England at the time[4] and who was a friend of Rosen's girlfriend.] On a visit to New York, the group approached Elektra Records owner Jac Holzman, who then heard them rehearse in London, and offered them a record deal. The quartet made their first public appearance at the Royal Festival Hall in late 1967, supporting Tom Paxton.

The group then added drummer Gerry Conway, a member of Alexis Korner's backing group. Despite their backgrounds, the band regarded themselves as being a "progressive rock" group rather than playing "folk rock", a term which had not yet come into widespread use.[1] They began recording at IBC Studios in London in December 1967, with Australian record producer Ossie Byrne and arranger Phil Dennys, who had both worked on The Bee Gees' first hit "New York Mining Disaster 1941".[6] The songs were recorded as rehearsed, with vocal harmonies and ornate orchestral arrangements overdubbed later. The band released their first single, "Nevertheless", written by Rosen, in June 1968; it received some airplay in the UK but did not chart. They also appeared on Dutch TV, BBC radio, and the BBC TV show Colour Me Pop.[2]

The band's self-titled album, Eclection, was released in August 1968. Eight of the songs were written by Hultgreen, and the remaining three by Rosen. Hultgreen and Rosen also shared the lead vocals with Kerrilee Male, although most critics commented on the strength of Male's voice, Lillian Roxon stating that "Her voice cuts into the brain like a carving knife". The band's style drew comparisons with The Seekers, Jefferson Airplane, The Mamas and The Papas[7] and We Five. Reviewer Richie Unterberger stated: "The combination of male-female harmonies, optimistic lyrics with shades of romantic psychedelia, folk-rock melodies, acoustic-electric six- and twelve-string guitar combinations, and stratospheric orchestration couldn't help but bring to mind similar Californian folk-pop-rock of the mid-to-late 1960s."

Kajanus (Hultgreen) later said] "The musical direction of the group was probably closer to American folk-rock than anything else. I must confess, having spent my formative musical years haunting the folk clubs in Montreal, Canada and watching all the current folk and folk/rock programs on TV, I was strongly influenced by this music. The most influential artists for me at the time were people like Dylan, the Byrds, Fred Neil, Simon and Garfunkel, the Beach Boys, the Mamas and the Papas, and Gordon Lightfoot. Pre-Eclection, I was a purist fighting the acoustic battle versus the electric "demons" creeping into the scene. I remember being shocked when Dylan went electric. It is therefore ironic that I should end up a few years later playing an electric 12-string in Eclection." postage as follows .......

uk..£3.00

europe...£5.50

rest of the world £ 8.00

any questions please e mail me