DORIS TROY - S/T Sealed RARE 1970 Apple Orig Harrison Ringo Starr Eric Clapton

$

65

Vinyl:  Mint!  Sealed!  This is the Original 1970 Apple 1st Pressing!   RARE...Doris' Lone Apple Release is a Hot One: with contributions from George Harrison, Ringo Starr, Leon Russell, Eric Clapton... This recording is before she went into the studio to help with Pink Floyd's Dark Side Of The Moon. See Review Below!
Cover: Mint!  Sealed!!  (see photos)  Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright. Seams and spine are solid and clean, essentially flawless.  No writing.  No creases.  Spine print is crystal clear.  One tiny bump on  a corner.  Although it's visible on the photos, I'll mention that this record has some places where dust  has gotten between the shrink-wrap and the cover in the 49 years that it's been sitting under wraps, as it were...
The dust seems to have gotten in in the places where the shrink wrap has tiny tears and imperfections in the seal.   I believe that once the shrink-wrap is removed that a damp cloth will pick it all up but I can't say for sure.  The record appears straight; when I look down with one eye down all 4 edges there's no big, ominous bow to it that would suggest that it's warped.
I will gladly accept the return of Sealed records as long as they have not been opened (i.e. as long as they are still in the condition I sent them in).  Every record has a "fingerprint" of imperfections in the seal and/or the cover and I separately photograph and keep these details to prevent fraudulently returned items...yep, there are a few rotten apples out there!)  I will not accept a previously sealed record that has been opened, even if the complaint is that the record is warped.  This is why I look down the edge of all 4 sides of the record, to assess for potential bowing.  Look for that in the description of the covers of all my Sealed items. Thanks!  By the way, I've never (knock on wood!) had a buyer complain that they received a warped Sealed record.  :)
Goldmine Standards.   
U.S. Shipping:  $4 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Richie Unterberger