DON BYAS TENOR SAX SOLOS INSANELY RARE ORIG 1952 10" LP

$

106

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·       DON BYAS – THE SELF-TITLED FIRST ALBUM ALSO KNOWN AS ‘TENOR SAX SOLOS’ – INSANELY RARE ORIGINAL 1952 ATLANTIC RECORDS MONO 10-INCH LP 117

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW ATLANTIC  LABEL (UNIQUE TO THE 10” RELEASES) WITH BLACK PRINT

·       WHILE THE AUTHOR OF THE GORGEOUS COVER REMAINS UNKNOWN AND UNCREDITED (PROBABLY FOR CONTRACTUAL REASONS), WE ARE ABSOLUTELY CERTAIN THAT IT IS THE LEGENDARY DAVID STONE MARTIN.  INTERESTINGLY ENOUGH, DON BYAS’ SECOND 10” ALBUM, RELEASED ON SAVOY, ALSO SPORTS AN (UNCREDITED) DAVID STONE MARTIN COVER.

·       FLAT-EDGE PRESSING

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format (although the material itself has been released a number of times)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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One of the greatest of all tenor players, Don Byas' decision to move permanently to Europe in 1946 resulted in him being vastly underrated in jazz history books. His knowledge of chords rivalled Coleman Hawkins, and, due to their similarity in tones, Byas can be considered an extension of the elder tenor. He played with many top swing bands, including those of Lionel Hampton (1935), Buck Clayton (1936), Don Redman, Lucky Millinder, Andy Kirk (1939-1940), and most importantly Count Basie (1941-1943). An advanced swing stylist, Byas' playing looked toward bop. He jammed at Minton's Playhouse in the early '40s, appeared on 52nd Street with Dizzy Gillespie, and performed a pair of stunning duets with bassist Slam Stewart at a 1944 Town Hall concert. After recording extensively during 1945-1946 (often as a leader), Byas went to Europe with Don Redman's band, and (with the exception of a 1970 appearance at the Newport Jazz Festival) never came back to the U.S. He lived in France, the Netherlands, and Denmark; often appeared at festivals; and worked steadily. Whenever American players were touring, they would ask for Byas, who had opportunities to perform with Duke Ellington, Bud Powell, Kenny Clarke, Dizzy Gillespie, Jazz at the Philharmonic (including a recorded tenor battle with Hawkins and Stan Getz), Art Blakey, and (on a 1968 recording) Ben Webster. Byas also recorded often in the 1950s, but was largely forgotten in the U.S. by the time of his death.

 (EXCERPT FROM AN ONLINE BIO BY SCOTT YANOW, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This legendary 10” album – easily the rarest Don Byas recording in existence – is a sight unseen and – simply put – one of the rarest Jazz albums in existence. We are reasonably certain that less than four copies have been offered on eBay in the ENTIRE HISTORY OF THE COMPANY

Track listing: Flamingo/Stardust/The Man I Love/Georgia/Night And Day/Over The Rainbow/Where Or When/Easy To Love

THIS IS A RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          This is the original FLAT EDGE pressing

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)

-         Cover has a partially split spine (between 2 and 4 inches  / 5 to 10 centimeters)

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has two corners slightly worn / dinged  / bent (nothing significant)

-         Cover shows some light yellowing on back side, apparently from aging.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has some writing in plain CRAYON on its back side (slightly smeared), which can be easily and effortlessly erased.

-         Cover has a small quality control (inspection) stamp on the back panel

-         Cover has a few tiny wrinkles along the bottom seam (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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