DELANEY & BONNIE w/ERIC CLAPTON RARE PROMO-ONLY MONO LP

$

225

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·       DELANEY AND BONNIE WITH ERIC CLAPTON & FRIENDS ON TOUR - ORIGINAL 1969 ATCO RECORDS MONO LP 33-332

·       ORIGINAL U.S. PRESSING

·     *** ULTRA-RARE PROMOTIONAL-ONLY MONO COPY; MONO VERSION OF THIS ALBUM WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***

·       TO THE BEST OF OUR KNOWLEDGE, THIS IS THE VERY LAST ERIC CLAPTON ALBUM TO BE RELEASED IN MONO IN ANY WAY, MANNER OR FORM.

·     *** WHITE LABEL PROMO ***

·       IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL

·       THIS IS A MONSTEROUSLY RARE “DEDICATED” PROMO-ONLY MONO MIX (BASS LINES ARE MUCH MORE PROMINENT THAN ON THE STOCK, COMMERCIALLY RELEASED PRESSING). THIS IS NOT A STEREO-TO-MONO MIXDOWN COMMONLY FOUND IN THE LATE 60s AND EARLY 70s.

·       ORIGINAL ATCO LABEL, WHITE PROMO VERSION.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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What we have here technically DOES NOT EXIST and is not supposed to exist. To our best knowledge, the existence of this PROMO-ONLY mono version of this great album has never been documented or substantiated, and none of the price books and guides currently in print make any reference to its history or background. The historical importance of this item cannot be overestimated: this is an equivalent of discovering a long-lost animal- or plant species!!!

The bidders should note that this album contains mono mixes which are either considerably different: much more raw and "punchy" than the common, commercially available stereo mixes.

***

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

In this case, though, this is a rather moot point, since this rare promo-only MONO version of the album was never commercially released to begin with.

***

The first non-super-group Eric Clapton ever recorded with, Delaney and Bonnie recorded this legendary 1970 live set with an awe-inspiring group of professional studio musicians. The good vibes spark all over the place, and the crew is up to their wazoos in rock-solid blues, gospel, and soul. A rarely honest blue-eyed soul album, which captures Clapton in his prime. Track listing: Things Get Better - Poor Elijah-Tribute To Robert Johnson: Poor Elijah / Tribute - Only You Know And I Know - I Don't Want To Discuss It - That's What My Man Is For - Where There's A Will, There's A Way - Coming Home - Little Richard Medley: Tutti-Frutti / Girl Can't Help It, The / Long Tall Sally / Jenny Jenny

***

This 42-minute, eight-song live album, cut at Croydon late in 1969, is not only the peak of Delaney & Bonnie's output, but also the nexus in the recording and performing careers of Eric Clapton and George Harrison. On Tour With Eric Clapton features the guitarist performing the same blend of country, blues, and gospel that would characterize his own early solo ventures in 1970. He rises to the occasion with dazzling displays of virtuosity throughout, highlighted by a dizzying solo on "I Don't Want to Discuss," a long, languid part on "Only You Know and I Know," and searing, soulful lead on the beautifully harmonized "Coming Home." Vocally, Delaney & Bonnie were never better than they come off on this live set, and the 11-piece band sounds tighter musically than a lot of quartets that were working at the time, whether they're playing extended blues or ripping through a medley of Little Richard songs. It's no accident that the band featured here would become Clapton's own studio outfit for his debut solo LP, or that the core of this group — Bobby Whitlock, Carl Radle, and Jim Gordon — would transform itself into Derek & the Dominoes as well; or that most of the full band here would also comprise the group that played with George Harrison on All Things Must Pass and at the Concert for Bangladesh, except that the playing here (not to mention the recording) is better. Half the musicians on this record achieved near-superstar status less than a year later, and although the reasons behind their fame didn't last, listening to their work decades later, it all seems justified. One only wishes that Atlantic Records might check their vaults for any unreleased numbers from these shows that could fit on an extended CD.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)             The record comes in the original stock inner sleeve.

(d)            White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

(e)             In addition, Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 300:1.

(f)              Stock (commercially released) mono copies of this album are NOT known to exist.

(g)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS STRONG NEAR MINT (PRACTICALLY PERFECT!), STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         The front cover has a tiny, inconspicuous, metal ring in the upper left corner, indicating that the album was the property of the radio or broadcasting station.

-         Minor discoloration on the red promo sticker (NOT on the cover itself!)

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No ring wear

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No wrinkles or creases

-         No yellowing from aging

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No glue traces or wax residue.

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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