Complete Works Of ANTON WEBERN, Volume 1 (Op. 1-31) PIERRE BOULEZ 4LP MINT / SS

$

34

Anton Webern - Pierre Boulez ?– The Complete Works Of Anton Webern, Volume 1 (Op. 1-31)

Label:

Columbia Masterworks ?– M4 35193, Columbia Masterworks ?– M 35732, Columbia Masterworks ?– M 35733, Columbia Masterworks ?– M 35734, Columbia Masterworks ?– M 35735

Format:

4 × Vinyl, LP, Stereo 

Box Set 

Country:

US

Released:

1978

Genre:

Classical

Style:

Modern

Tracklist Hide Credits

A1 Passacaglia For Orchestra, Op. 1

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

10:04

A2 Entflieht Aus Leichten Kähnen, Op. 2

Choir – John Alldis Choir

Conductor – Pierre Boulez

2:33

A3 Five Songs, Op. 3

Piano – Charles Rosen

Soprano Vocals – Heather Harper

5:12

A4 Five Songs, Op. 4

Piano – Charles Rosen

Soprano Vocals – Heather Harper

7:52

B1 Five Movements For String Quartet, Op. 5

Ensemble – Juilliard Quartet*

12:17

B2 Six Pieces For Large Orchestra, Op. 6

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

12:20

B3 Four Pieces For Violin And Piano, Op. 7

Piano – Charles Rosen

Violin – Isaac Stern

4:55

B4 Two Songs, Op. 8

Conductor – Pierre Boulez

Soprano Vocals – Heather Harper

2:12

C1 Six Bagatelles For String Quartet, Op. 9

Ensemble – Juilliard Quartet*

4:18

C2 Five Pieces For Orchestra, Op. 10

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

4:17

C3 Three Small Pieces For Cello And Piano, Op. 11

Cello – Gregor Piatigorsky

Piano – Charles Rosen

2:17

C4 Four Songs, Op. 12

Piano – Charles Rosen

Soprano Vocals – Heather Harper

7:02

C5 Four Songs, Op. 13

Conductor – Pierre Boulez

Soprano Vocals – Heather Harper

7:08

C6 Six Songs, Op. 14

Conductor – Pierre Boulez

Soprano Vocals – Heather Harper

4:56

D1 Five Sacred Songs, Op. 15

Conductor – Pierre Boulez

Soprano Vocals – Halina Lukomska

3:20

D2 Five Canons On Latin Texts, Op. 16

Conductor – Pierre Boulez

Soprano Vocals – Halina Lukomska

3:20

D3 Three Traditional Rhymes, Op. 17

Conductor – Pierre Boulez

Soprano Vocals – Halina Lukomska

2:30

D4 Three Songs, Op. 18

Clarinet – Colin Bradley (2)

Conductor – Pierre Boulez

Guitar – John Williams (7)

Soprano Vocals – Halina Lukomska

3:34

D5 Two Songs, Op. 19

Choir – John Alldis Choir

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

2:10

D6 String Trio, Op. 20

Ensemble – Juilliard Quartet*

9:20

E1 Symphony, Op. 21

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

9:17

E2 Quartet, Op. 22

Clarinet – Robert Marcellus

Conductor – Pierre Boulez

Piano – Charles Rosen

Saxophone – Abraham Weinstein

Violin – Daniel Majeske

7:10

E3 Three Songs, Op. 23

Piano – Charles Rosen

Soprano Vocals – Halina Lukomska

6:55

E4 Concerto, Op. 24

Conductor – Pierre Boulez

Orchestra – Members Of The London Symphony Orchestra*

6:40

F1 Three Songs, Op. 25

Piano – Charles Rosen

Soprano Vocals – Halina Lukomska

3:48

F2 Das Augenlicht, Op. 26

Choir – John Alldis Choir

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

5:50

F3 Variations For Piano, Op. 27

Piano – Charles Rosen

6:00

F4 String Quartet, Op. 28

Ensemble – Juilliard Quartet*

8:45

G1 Cantata No. 1, Op. 29

Baritone Vocals – Barry McDaniel

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

Soprano Vocals – Halina Lukomska

7:58

G2 Variations For Orchestra, Op. 30

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

7:12

G3 Cantata No. 2, Op. 31

Baritone Vocals – Barry McDaniel

Choir – John Alldis Choir

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

Soprano Vocals – Halina Lukomska

14:12

H1 Five Movements For String Quartet, Op. 5 (Orch. Version)

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

9:56

H2 Orchestration Of The Fugue From The Musical Offering Of Bach (Without Opus)

Conductor – Pierre Boulez

Orchestra – London Symphony Orchestra*

7:01

H3 Schubert-Webern: German Dances For Orchestra, Op. Posth.

Conductor – Anton Webern

Orchestra – Frankfurter Funkorchester

8:50

Companies, etc.

Manufactured By – Columbia Records

Manufactured By – CBS Inc.

Credits

Composed By – Anton Webern

Cover, Design – Allen Weinberg, John Berg

Cover, Illustration [Painting] – Kandinsky*

Design [Booklet] – Peter Nutter, Thumb Design Partnership

Engineer – Bud Graham, Christopher Parker, Hellmuth Kolbe, Keith Grant, Robert Gooch

Liner Notes – Humphrey Searle, Susan Bradshaw

Other [Traduction] – Marc Vignal

Producer – Paul Myers (2), Roy Emerson

Producer [Assistance in the production] – Andrew Kadzin, Richard Killough, Thomas Z. Shepard

Remix, Edited By – Mike Ross-Trevor

Notes

4 record box set including 20 page book.

Each LP has its own catalog number, as follows:

LP1 - M 35732

LP2 - M 35733

LP3 - M 35734

LP4 - M 35735

Barcode and Other Identifiers

Matrix / Runout (A runout): MAL-35732-1C

Matrix / Runout (B runout): MBL 35732-1G

Matrix / Runout (C runout): MAL 35733-1D

Matrix / Runout (D runout): MBL 35733-1K

Matrix / Runout (E runout): MAL-35734-1AB

Matrix / Runout (F runout): MBL 35734-1H

Matrix / Runout (G runout): MAL 35735-1A

Matrix / Runout (H runout): MBL 35735-1D

Matrix / Runout (A label): M 35732 / AL 35732

Matrix / Runout (B label): M 35732 / BL 35732

Matrix / Runout (C label): M 35733 / AL 35733

Matrix / Runout (D label): M 35733 / BL 35733

Matrix / Runout (E label): M 35734 / AL 35734

Matrix / Runout (F label): M 35734 / BL 35734

Matrix / Runout (G label): M 35735 / AL 35735

Matrix / Runout (H label): M 35735 / BL 35735

Other (Library of Congress catalog card number): 78-751021

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.