Como Se Goza En El Barrio: Havanna & NYC Recordings 1946-1962
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Arsenio RODRIGUEZ
Como Se Goza En El Barrio: Havanna & NYC Recordings 1946-1962(limited 2xLP)
Grosso
Cat: GR 026. Rel: 31 Oct 16
International
Side 1 - Track 1. Dame Un Cachito Pa' Huele' Side 1 - Track 2. Dundunbanza Side 1 - Track 3. Como Se Goza En El Barrio Side 1 - Track 4. Esas No Side 1 - Track 5. La Gente Del Bronx Side 1 - Track 6. Mambo En La Cueva Side 1 - Track 7. Que Negra P'acelera Side 1 - Track 8. Blanca Paloma Side 2 - Track 1. Mami Me Gusto Side 2 - Track 2. El Dolorcito De Mi China Side 2 - Track 3. Hay Fuego En El 23 Side 2 - Track 4. Besame Aquí Side 2 - Track 5. La Fonda De Bienvenido Side 2 - Track 6. No Quiero Side 2 - Track 7. Juegame Limpio Side 3 - Track 1. Pimienta Side 3 - Track 2. Cambia El Paso Side 3 - Track 3. Que Me Manda La Nina Side 3 - Track 4. Pobre Chinito Side 3 - Track 5. Baila Simon Side 3 - Track 6. El Reloj De Pastora Side 3 - Track 7. Sabor De Pachanga Side 3 - Track 8. Hachero Pa' Un Palo Side 4 - Track 1. Errante Y Bohemio Side 4 - Track 2. El Divorcio Side 4 - Track 3. Papa Upa Side 4 - Track 4. Lo Que Le Paso A Luisita Side 4 - Track 5. No He Visto A Caridad Side 4 - Track 6. Sueltala Side 4 - Track 7. Adios Carmelina Side 4 - Track 8. Emilio Dolores
Arsenio Rodriguez is to Cuban music, what Fela Kuti is to the Nigerian sound. A visionary, a pioneer, and an artist with a very particular style. Not only has he recorded over 200 songs, but the man was also responsible for championing the tres, a Cuban Guitar, and instilling the sound that we now refer to as 'mambo'. A pretty big deal. He was active during the 40s and 50s, a time which immediately makes you think of Margaritas and coconuts, and that's probably because of this man's music. The Grosso label have done a marvellous job here, as this is an important album for music and the development of new generations of musicians, as a whole, regardless of tastes. Fun, upbeat, and instantly takes you to the heart of Cuba. Recommended.
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