CUSTOM STICKER ?1967 RARE ? The ROLLING STONES ? BUTTONS ? Garage Psych B JONES
$
90
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Description
1967 MONO COLLECTIBLE IN CELLOPHANE
WITH COOL CUSTOM "BETWEEN THE BUTTONS" STICKER ..|/\|...............................................|/\|..
The ROLLING STONES
"BETWEEN THE BUTTONS" ..|/\|...............................................|/\|.. USA - (red) LONDON RECORDS - LL3499 = MONOMINTY CLEAN VINYL IN GLORIOUS MONO:
1967 Original pressing with MONO SONG MIXES deliver bold & punchy production that many prefer over the stereo release.
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STILL IN CUSTOM "Between The Buttons" Sticker on the outside of the cover !!!
Original "teen Beat" printed inner sleeve INCLUDEDScarce 1967 collectible pressing ((( MONOPHINIC SONG MIXES ))) the groundbreaking hip Stones Between The Buttons featuring a new Stones formula pulling away from their R&B/Blues roots into the crafty pop-perfection art-rock that would lead the way to Satanic Majesties Request in December the same year of 1967
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Between The Buttons was released in January 1967 and continued the Rolling Stones transition from rhythm & blues group to rock & roll group extraordinaire.
Between The Buttons contained very few Rolling Stones signature songs but showed a new-found confidence and arguably is one of their best albums. Mick Jagger and Keith Richards wrote all the songs for the second album in a row showing not only that they had matured as songwriters but proving they had reached the point where they could create an album on their own terms.
Brian Jones increasing drug addiction and abusive relationship with girlfriend Anita Pallenbergallowed him less time in the studio. While he would continue to add his various creative instrumental sounds to the studio tracks his original input was becoming minimal. This would enable Keith Richards to flourish on the guitar. His guitar playing on such songs as “Connection,” “All Sold Out,” “My Obsession” and “Miss Amanda Jones” are universally excellent.The great single release “Let’s Spend The Night Together/Ruby Tuesday” forms the foundation for Between The Buttons. The overtly sexual lyrics and rhythms of “Let’s Spend The Night Together” were too much for American radio so disc jockeys turned the record over and played “Ruby Tuesday” which became a number one hit song. “Ruby Tuesday” features one of the great Mick Jagger vocals. Also Brian Jones intertwines his recorder or possibly flute throughout the song giving it a wonderful counterpoint.
In many ways it was Marianne Faithful who would drive the content of many of the songs. She and Mick Jagger were having a secret affair when the album was being put together and Mick Jagger’s creative juices could not escape this fact. “Who’s Been Sleeping Here,” “Complicated” and “Something Happened To Me Yesterday” can be considered the Marianne Faithful trilogy. “Who’s Been Sleeping Here” shows Jagger’s insecurities concerning Faithful’s loyalties. “Complicated” probably summarizes the Marianne Faithful-Mick Jagger relationship.
The wonderfully infectious “Connection” would have disappeared into the Rolling Stones catalogue except for the fact it featured the first Keith Richards lead vocal. Mick Jagger and Keith Richards were not satisfied with Between The Buttons. Jagger said publicly that the Stones fiddled with the album too much. They recorded the album on a four-track system and began overdubbing many of the instruments which changed the original concept of some of the songs.
Between The Buttons was a commercial success and stood up tall amidst such then recent releases as Blonde On Blonde by Bob Dylan, Pet Sounds by the Beach Boys and Revolver by The Beatles.
SIDE ONE
LET'S SPEND THE NIGHT TOGETHER
YESTERDAYS PAPERS
RUBY TUESDAY
CONNECTION
SHE SMILED SWEETLY
COOL, CALM & COLLECTED
SIDE TWO
ALL SOLD OUT
MY OBSESSION
WHO'S BEEN SLEEPING HERE?
COMPLICATED
MISS AMANDA JONES
SOMETHING HAPPENED TO ME YESTERDAY
CONDITION: The cover: rated: solid all over; rated: front cover: M- IN CELLOPHANE OUTER , some of the shrink wrap is missing at bottom left corner, The about half of the outside wrapper gone from the back cover. see exact photos per this listing! Very nice mint original custom sticker is on the outside of outer shrink wrap. From 51 years ago. Retains fresh colors, no bends, no seams splits, no writing ... NO delete marks ...
The vinyl: both sides all glossy clean, rated: STRONG near M- looks fine and plays clean in excellent zones ...Has clean monophonic London labels 51 years ago pressing to consider in valuable condition.
A cool addition to anyone's music library!
SEE: SELLERS OTher items for similar cool sounds for "head" people... EFFICIENT/CAREFUL GRADING All imperfections are noted both cover & record NOTE: All Items backed by money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks M- Carefully used, looks clean, plays clean, shiny gloss, no marks EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END BIDDERS PLEASE = Do Not Bid If You Are Not Serious About Following Through The Transaction! ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!
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