COLOSSEUM LIVE MINT ORIGINAL 1971 WARNER BROS 2-LP SET
$
32
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· COLOSSEUM – COLOSSEUM LIVE – ORIGINAL 1971 WARNER BROTHERS STEREO DOUBLE LIVE ALBUM – WARNER BROS LP 2XS-1942
· ORIGINAL U.S. PRESSING
· ORIGINAL GREEN WARNER BROTHERS LABEL WITH A “SHIELD” (WB) LOGO AT THE TOP OF THE LABEL, EARLY 70’s STYLE
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 6.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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This was recorded towards the end of Colosseum I's existence, and according to drummer Jon Hiseman, almost NEVER got released (something about planning to erase the original master tape in a fit of perfectionisitic pique). But fate intervened and thankfully, this ferocious classic performance of the mighty Colosseum was preserved intact.
Under Jon Hiseman's leadership, Colosseum created a heady and ferocious brew of progressive rock blues and jazz like nothing else. Capped off with Chris Farlowe's dramatic (sometimes overly so) blues drenched vocals, the band would leave one breathless on a good night.
1. Rope Ladder to the Moon - An ingenious cover of a Jack Bruce song that's actually BETTER than the original! Starting of with apreggiated guitar and vibes, Chris Farlowe then roars in and takes it to the moon, the intensity builds with a great mid-sction where Dave Greenslade makes his Hammond organ snarl and growl like a hungry lion as Hiseman eggs him on, the full band comes back in for a fiery conclusion, great way to start off!
2. Walking in the Park - A cranked up blues that dates back to The Graham Bond Organization (of which Dick Heckstall-Smith was a member), taken at such an unsafe tempo it nearly threatens to blow apart but our heroes keep it together and land on their feet.
3. Skellington - Continuing in a bluesy mode but at a slower (relatively speaking)tempo, however, it goes a bit off course betweena pointlessly long psychedelic guitar noise freakout and Chris Farlowe's vocal histrionics. Not a bad song but it could've done without all the excess.
4. Tanglewood. - A serious tour de force! Take one Michael Gibbs composition, rearrange it for these feisty Brits and stand back! What results is a dense, complex yet oddly memorable instrumental with the band combining its vocal resources powerfully (wordless singing no less!), and the late saxophonist Dick Heckstall Smith getting the spotlight with his double-sax solo (a'la Roland Kirk), he was simply amazing, no gimmicks, no devices (they didn't have digital harmonizers back then) just pure musicianship. One of the major highlights of this set!
5. Encore...Stormy Monday Blues - The old T-Bone Walker song given the Colosseum treatment, this was their fun tune and you can hear it clearly!
6. Lost Angeles - The other major reason to own this disc. This epic piece starts with Dave Greenslade showing his Hammond organ artistry leading the band into a dense fiery epic of life in the Smog Belt. Tight ensemble passages intertwine with heartfelt and concise soloing as Chris Farlowe spins the tale of woe. The band winds down and Dave Greenslade switches to vibes, as guitarist Dave Clemson builds a plaintive and heart-wrenching bluesy solo. The momentum builds and builds, almost to the point of blowing the song to pieces but just as you think that is inevitable, the band pulls off a rousing conclusion and leaves the crowd amazed!
This is a very exhilirating set by a band that really relied on its raw talent and musicianship and played from its heart, no gimmicks, no fakery, no overdubs. If only more people took that to heart.
For additional historical information on this album, including track listing ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The records are pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) The records come in their original stock inner sleeve.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Minor shelf wear noted on the top and bottom seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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