CLASSIC RECORDS Audiophile PETER GABRIEL Scratch QUIEX 200g ROBERT FRIPP Sealed

$

68

PETER GABRIEL II (Scratch)
New & Sealed Audiophile Vinyl Record

Record Label: Classic Records/Real World PGLP02

Peter Gabriel is the second solo album by the British singer-songwriter Peter Gabriel, released in 1978. The album is the second of four with the same eponymous title. Guitarist Robert Fripp served as producer, whose influence on the album is evident in the use of Frippertronics on the track "Exposure."

200 Gram Quiex SV-P Vinyl.

Highly collectable release from audiophile label, Classic Records. This title was mastered by Classic Records at Half Speed from the original source master tapes. An all-analog, tube amplification process was used at every step. Classic Records used a proprietary vinyl that guaranteed virtually no surface noise and sonically superior dynamics.

Classic Records pride themselves for releasing each album with the original artwork, LP labels and any other materials which were included with original pressings.

Record is new and still sealed in it's original plastic sleeve. Perforation is completely intact. Very tip of the top right corner is badly stubbed... otherwise, like new.

Side One
1. On the Air
2. D.I.Y.
3. Mother of Violence
4. Wonderful Day in a One-Way World, A
5. White Shadow

Side Two
6. Indigo
7. Animal Magic
8. Exposure
9. Flotsam and Jetsam
10. Perspective
11. Home Sweet Home

Review: When Peter Gabriel left the comforting group identity of Genesis after almost ten years, it might've been expected that he would want to re-assert his individuality. However, titling his first three albums PETER GABRIEL was bound to confuse at least a few fans into buying the same record twice (not a bad marketing strategy when you think about it). PETER GABRIEL the (second) album allowed Peter Gabriel (the singer) to stretch a bit more than his Bob Ezrin-produced debut. Under the watchful eye of producer/fellow art-rock refugee Robert Fripp, Gabriel stretched his musical palette from the raucous "On The Air" to the fragile "Flotsam and Jetsam" to the everything-but-the-kitchen-sink "D.I.Y." Not as stark as PETER GABRIEL (III) or as funked-up as SECURITY, PETER GABRIEL (II) shows Gabriel ably charting the idiosyncratic nonformula that he follows to this day.

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