CLASH PEARL HARBOR'79 1st ALBUM RARE ORIG '79 JAPAN AUDIOPHILE LP w/SASH+INSERTS

$

56

    
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WE CURRENTLY HAVE   NEARLY 500   LISTED ITEMS

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·       CLASH – PEARL HARBOR '79 -   VERY RARE ORIGINAL JAPANESE PRESSING OF THE U.S. VERSION OF THE CLASH'S FIRST ALBUM, RELEASED WITH AN UNBELIEVABLE AND OUTRAGIOUS 'SCREAMING PINK' "AIRPLANE ATTACK" SLIPCASE JACKET WHICH WRAPS AROUND THE ENTIRE COVER - ORIGINAL 1979 JAPANESE AUDIOPHILE HIGH QUALITY PRESSING ON A VIRGIN VINYL – ORIGINAL EPIC / COLUMBIA RECORDS (JAPAN) LP SET 25-3P-139-140

·       ORIGINAL JAPANESE  PRESSING

·       ORIGINAL DARK BLUE EPIC RECORDS (JAPAN) LABEL WITH YELLOW AND WHITE LOGO (THE SAME LABEL USED FOR THE RELEASE OF CLASH'S FIRST ALBUM IN THE STATES)

·       INCLUDES ORIGINAL 6-PAGE JAPANESE INSERT (BOOKLET)

·       ORIGINAL PRESSING OF THIS TITLE ALSO INCLUDED THE RARE BONUS SINGLE ("GATES OF THE WEST") WITH IT'S OWN, UNIQUE, CUSTOMS STAND; UNFORTUNATELY, THE BONUS SINGLE IS MISSING AND IS NOT INCLUDED, BUT THE STAND IS INCLUDED AND IS INTACT (PLEASE SEE THE ATTACHED IMAGES)

·       THE ALBUM ALSO INCLUDES 'FLAMING RED' "BOMBER ATTACK" PAPER SLIPCASE, WHICH WRAPS AROUND THE COVER --- IN BEAUTIFUL, GORGEOUS CONDITION -- PRACTICALLY UNTOUCHED!

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST JAPANESE. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Never Mind the Bollocks may have appeared revolutionary, but the Clash's eponymous debut album was pure, unadulterated rage and fury, fueled by passion for both rock & roll and revolution. Though the cliché about punk rock was that the bands couldn't play, the key to the Clash is that although they gave that illusion, they really could play -- hard. The charging, relentless rhythms, primitive three-chord rockers, and the poor sound quality give the album a nervy, vital energy. Joe Strummer's slurred wails perfectly compliment the edgy rock, while Mick Jones' clearer singing and charged guitar breaks make his numbers righteously anthemic. Even at this early stage, the Clash were experimenting with reggae, most notably on the Junior Murvin cover "Police & Thieves" and the extraordinary "(White Man) In Hammersmith Palais," which was one of five tracks added to the American edition of The Clash. "Deny," "Protex Blue," "Cheat," and "48 Hours" were removed from the British edition and replaced for the U.S. release with the British-only singles "Complete Control," "(White Man) In Hammersmith Palais," "Clash City Rockers," "I Fought the Law," and "Jail Guitar Doors," all of which were stronger than the items they replaced. Though the sequencing and selection were slightly different, the core of the album remained the same, and each song retained its power individually. Few punk songs expressed anger quite as bracingly as "White Riot," "I'm So Bored with the U.S.A.," "Career Opportunities," and "London's Burning," and their power is all the more incredible today. Rock & roll is rarely as edgy, invigorating, and sonically revolutionary as The Clash.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

The U.S. edition of The Clash (offered here) , released in 1979, removed "Cheat," the funky singalong "Protex Blue," the dark and revealing paranoia of "Deny," and the short but utterly delightful "48 Hours." In their place were the more polished and thus somewhat jarring U.K. singles/B-sides "Complete Control," "White Man in Hammersmith Palais," "Clash City Rockers," "I Fought the Law," and "Jail-Guitar Doors."

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These Japanese hi-grade , virgin-vinyl, extended-dynamic range vinyl pressings - while they were imported  in the 1970's and early 1980's - were audiophile and connoisseur delights  (we   have not  seen some of these titles in circulation in years – some of them are highly collectible). These majestic recordings received an  intense, meticulous and laborious treatment like very few other recordings did.   They are characterized by the boosted dynamic and frequency range, almost compulsive attention paid to the fine detail and integrity of the pressing and highest quality  of the material. Many of  these recordings remain unsurpassed, delivering music  reproduction as close to  the actual recording session as possible. In the best tradition of some of the major Japanese corporations -  such as RCA Victor Co. (Nippon),  Warner-Pioneer Corporation of Japan or EMI-Toshiba Corporation  -  the sound quality of the Japanese pressings is, generally,  truly extraordinary - much better, we firmly believe, than the corresponding first pressings of the albums in question.

This is a rare opportunity to acquire this great album in its finest audio format, no longer in print, and no longer easily obtainable.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The album comes with its unique Japan-only booklet/insert still intact.

(c)           The album comes with it's original bonus single display stand included (unfortunately, not the bonus single itself, just the stand)

(d)          The album comes with the original paper slipcase which wraps around the cover

(e)           The record comes in a hi-grade PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(f)            The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(g)          The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(h)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-        Cover has a few tiny wrinkles along the seams  (nothing significant)

-         Cover has two corners slightly worn / dinged  (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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