CLARK TERRY SERENADE BUS SEAT NM '57 RIVERSIDE MONO LP

$

30

    
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·       CLARK TERRY with JOHNNY GRIFFIN, PAUL CHAMBERS, PHILLY JOE JONES AND WYNTON KELLY – SERENADE TO A BUS SEAT –  1957 RIVERSIDE MONO LP RLP-12-237

·       GENUINE  U.S. PRESSING

·       VERY EARLY PRESSING CIRCA 1958/59 ON “SMALL” BLUE RIVERSIDE MONO LABEL WITH MICROPHONE AND TAPE REEL LOGO AND SILVER PRINT, LATE 50’s STYLE

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED, COVER.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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This album matches together trumpeter Clark Terry (before he switched to flugelhorn) with tenor saxophonist Johnny Griffin, pianist Wynton Kelly, bassist Paul Chambers and drummer Philly Joe Jones. Most notable about the music is that Terry wrote five of the eight selections (including the colorful title cut which pays tribute to life on the road with Duke Ellington); the other numbers are "Donna Lee," a pretty version of "Stardust" and a slightly Latinized "That Old Black Magic." Terry and Griffin were a potent team, making one regret that they did not record together much through the years. This set contains excellent straightahead jazz performed with plenty of spirit.

 (EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has a minor  tear  (dent) on the opening side (about 3/4 inch in length)

-         Cover has one corner visibly worn / dinged / gnawed

-         Cover has some visible ring wear; On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 6 (back side).

-         Back cover has visible  yellowish stains, probably from exposure to humidity. (about 5 square inches in size)

-         Cover has some visible fraying/tattering on the opening side

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has a small quality control (inspection) stamp on the back panel

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has a partially split top seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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