CARAVAN: 'For Girls Who Grow Plump In The Night' - DEMO

	£		160
	$		212

CARAVAN
for girls who grow plump in the night

Richard Coughlan (drums, percussion, timpani)  Pye Hastings (guitar, vocals)
John G. Perry (bass guitar, vocals, percussion)  Peter Geoffrey Richardson (viola)
Dave Sinclair (organ, piano, electric piano, Davioli synthesizer)




Original stereo test pressing (factory/demonstration sample) of the 1973 Deram album



Label:        Deram
Cat. no.      SDL-R 12
Matrix nos.  ZAL 12551.P.A-3U / ZAL 12552.P.A-3U
Format:       Stereo
Released:   1973


Side 1                                                                                                          
MEMORY LAIN (P. Hastings)
Woodwind and brass arranged and conducted by Jimmy Hastings
Clarinet, tenor sax: Tony Coe, Tommy Whittle; Clarinet, baritone sax: Harry Klein; Flute, alto sax: Pete King;
Flute, piccolo: Barry Robinson; Trumpet: Henry Lowther; Trombone: Chris Pyne; Flute solo: Jimmy Hastings;
A.R.P. synthesizer: Rupert Hine.
   
HEADLOSS (P. Hastings)
Congas: Frank Ricotti
A.R.P. synthesizer: Rupert Hine and Dave Sinclair
                   
HOEDOWN (P. Hastings)
Congas: Frank Ricotti

SURPRISE, SURPRISE (P. Hastings)

C'THLU THLU (P. Hastings)
Congas: Frank Ricotti
Larynx: Jill Prior

                                                                                  

Side 2
THE DOG, THE DOG, HE'S AT IT AGAIN (P. Hastings)

BE ALRIGHT (P. Hastings)
A.R.P. synthesizer: Rupert Hine; Electric cello: Paul Buckmaster; Congas: Frank Ricotti
CHANCE OF A LIFETIME (P. Hastings)
Congas: Frank Ricotti

L'AUBERGE DU SANGLIER (P. Hastings)
A HUNTING WE SHALL GO (P. Hastings)
PENGOLA (Perry)
BACKWARDS (Mike Ratledge)
Orchestra arranged by Martyn Ford and John Bell
Conducted by Martyn Ford
A HUNTING WE SHALL GO - reprise (P. Hastings)
Orchestra arranged by Martyn Ford and John Bell
Conducted by Martyn Ford


Produced by David Hitchcock


Condition:
Vinyl:   *Excellent. Clear, bright vinyl with excellent sound.
Sleeve: *Excellent. Clean, laminated gatefold sleeve with no marks or writing. There is a very small
            tear at the bottom of the spine, please see photograph.
Labels: *Excellent. Blank sample labels with hand-written details
*Please see description categories listed below.


Postage & packing costs:
UK                            Royal Mail 1st Class     Free
Europe                     Airmail                           £3.50
Rest of the World     Airmail                           £6.50

Postage: discounts are available on multiple purchases.
I always get proof of postage from the Post Office, but I cannot accept responsibility for lost or damaged goods
sent uninsured.  If you would prefer to pay for more valuable items to be insured, please let me know.

Packaging:
To lessen the possibility of any damage in transit, the disc will be supplied separate from the sleeve in a poly-bag and
be dispatched in a cruciform box with 2 stiffeners.

Payment:
Cheque, postal order or Paypal for UK buyers. Paypal only for Overseas buyers please.

Returns:
I am sure you will be satisfied with your purchase, but should there be any issues with incorrect listing or quality,
please contact me via e-mail before leaving negative feedback. If you still feel the description to be misleading, I will be happy to organise a refund.


*The description for this item is based on the standards originated by Record Collector Magazine for the condition and quality of second-hand records
 offered for sale. The categories and their descriptions are listed below:

MINT:
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT:
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD:
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD:
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches.
The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR:
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.

POOR:
The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD:
The record is unplayable or might even be broken, and is only of use as a collection-filler.