CANNED HEAT LIVING BLUES MINT ORIG '68 LIBERTY 2-LP SET
$
290
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WE CURRENTLY HAVE MORE THAN 1200 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· CANNED HEAT - LIVIN' THE BLUES – ORIGINAL 1968 LIBERTY RECORDS STEREO 2-LP SET (DOUBLE ALBUM) LST-27200
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK LIBERTY LABEL WITH MULTICOLORED STATUE OF LIBERTY LOGO ON THE LEFT-HAND SIDE, AND WITHOUT “DIVISION OF UNITED ARTISTS” INSCRIPTION ON THE LABEL
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Canned Heat's third collection, Living the Blues (1968), was likewise their first double-LP, heralding the rural hippie anthem "Going Up the Country" as well as the nearly three-quarter-hour "Refried Boogie." However, rather than distracting their audience, it became one of rock & roll's first two-LP sets to make a substantial showing on the charts, reaching the Top 20. Not surprising as the rest of the album -- essentially all of disc one -- is as solid (if not arguably more so) than their previous long player Boogie with Canned Heat (1968). Featured is the "classic" Heat lineup of Alan "Blind Owl" Wilson (guitar/harmonica/vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Adolfo "Fido" de la Parra (drums), and Bob "The Bear" Hite (vocals), who unleash another batch of strong originals and engaging overhauls of a few blues staples -- including the solid cover of Charley Patton's "Pony Blues" that commences the effort. Right out of the gate, the formidable team of Wilson and Vestine explore their musical passions with a focused drive that would significantly diminish in the years and on the records to follow. One of the primary factors in the package's commercial success was their update of Henry Thomas' "Going Down South," which they turned into the breezy "Goin' Up the Country." The song not only became one of their biggest hits, it was also used in the Woodstock (1970) documentary and a live version -- from the actual concert -- was presented on the soundtrack. Canned Heat are joined by one of their contemporaries as Brit bluesman John Mayall contributes to the compact reading of Jimmy Rogers'"Walking By Myself," not on guitar, but rather piano. He also tosses around the '88s during the "Bear Wires" movement of the side-long "Parthenogenesis" suite. While on the subject of guest keyboardists, Mac Rebbenack (aka Dr. John) joins in on the groovy ode to "Boogie Music." "One Kind Favour" (aka "See That My Grave Is Kept Clean") drives hard with Hite belting out behind the ensemble's propelling rhythms. Aside from the slightly indulgent "Refried Boogie," Living the Blues stands as a testament to Canned Heat's prowess as modernizers of the blues and recommended as one of the most cohesive works from this incarnation.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Two LPs worth of refreshingly old fashioned, testosterone-drenched acid-blooz 'n' electric psychedelic boogie, the masculine, vigorous, brainy, brawny Rock & Roll (capital "R") that big corporate Rock honchos can't even TRY to replicate these days. Why, sure -- of course you can't Rock your b*lls off if you ain't got none. Once you have been neutered by the Corporate God of Profit, that's it. Canned Heat never had any such problem. Let's Boogie, folks.
For additional historical information on this album, including track listing ►CLICK HERE
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The records come in their original stock inner sleeves.
(c) The records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker)
- The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 1 inch = 2.5 centimeters).
- Cover has three corners slightly worn (nothing significant)
- Minor shelf wear noted on the seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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