CAL TJADER MAS RITMO CALIENTE MINT ORIG MONO LP RED WAX

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62

    
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·       CAL TJADER with WILLIE BOBO, MONGO SANTAMARIA, ARMANDO PERAZA AND OTHERS – MAS RITMO CALIENTE -   ORIGINAL 1958 FANTASY RECORDS MONO LP 3262

·       ORIGINAL U.S. PRESSING

·       DEEP GROOVE PRESSING.

·       RARE ORIGINAL PRESSING ON RED VINYL

·       ORIGINAL MATTE (NOT GLOSSY), MAROON FANTASY MONO LABEL WITH GOLD PRINT (THIS IS THE OLDEST KNOWN FANTASY 12” LABEL)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       INCLUDES ORIGINAL 1958 FANTASY CATALOG BROCHUREBOOKLET

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Cal Tjader -- Mas Ritmo Caliente

Originally published in "Lost in the Grooves" by Kim Cooper and David Smay

In spite of his lack of pigmentation Callen Radcliffe Tjader Jr., better known as Cal Tjader, was the coolest cat in Latin jazz.The multi-talented percussionist recorded dozens of albums over the years, most of them exploring his sincere and profound interest in this genre.

Mas Ritmo Caliente captures, exemplifies and defines that magic moment when cool jazz met hot, North American rhythm met Carribean and East Coast met West. Culling talent from each locale, Tjader divided the album among three separate recording sessions in San Francisco, Chicago and New York. In 1957 these musicians were in peak form and exhibit the youthful exhuberance that was part of the Latin Jazz explosion.

The album opens with "Perdido" (1942), one of the first Latin jazz tunes ever written. Other highlights include "Poinciana Cha Cha" an upbeat number that allows the groove to move you, and "Mongorama" by Mongo Santamaria who at the ripe old age of thirty-five is the senior member of this group! The song is an excuse to wail and wail they do as Mongo and Willie Bobo share the limelight.

The final cut, "Perfidia Cha Cha," begins with Jerry Sanfino on flute and Cal on vibes playing the opening bars. Then "Chombo" Silva takes the lead with a masterful improvisation. Eventually, each soloist takes a turn while Mongo, Luis Kant and Willie Bobo churn out beats that you cannot sit still to. At 8:12 the engineer pulls down on the faders because he has run out of vinyl. The musicians keep playing as they always do, and I would give the world to hear the rest of that jam session. In the meantime, I'll savor what we have on Mas Ritmo Caliente by Cal Tjader Con Amigos. Are you sure that cat is white?

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THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The album comes with its original Fantasy catalog booklet / brochure

(d)          The record comes in the original stock inner sleeve.

(e)           The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers

-         Cover has a partially split bottom seam (between 4 and 6 inches  / 10 to 15 centimeters)

-         Cover has some visible fraying/tattering on the spine

-         Minor piece of scotch tape noted on top seam (sitting there for absolutely NO reason -- the top seam is NOT split)

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover has a small, rectangular, tape residue (small yellowish discoloration from two pieces of scotch tape (still attached)

-        Cover has a small peel-off mark, probably from the careless removal of the price sticker.  (less than ¼ square inch in size)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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