Beaver & Krause - The Nonesuch Guide To Electronic Music (2xLP + Box) (Near Mint

	A$		101
	$		67

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Please read comments below for accurate description.

Very clean vinyl. Looks unplayed. Box is in great shape too. Complete with booklet in M-. Can be inspected at our shop with prior notice as stored in our warehouse.

Notes :

Introduction to and survey of electronic music. All work realised on the Moog Series III Synthesizer. Excluding A1 and D10, each section is broken down into various examples. Recorded and processed with the Dolby A 301 Noise-Reduction System. Released with a 16-page book which includes the musical score of the A1 track : Peace Three - Notes to the track titles- Some tracks are represented by graphical symbols that are not reproducible in unicode, especially the following: B3d: 'L2' is encircled. B4c: '2L', '2N', '2V', '2S' are all encircled B6a to B6d are preceded with a drawn line, all in a different shape C3d and C4c: 'L2' is encircled C6a is preceded by a drawn shaped line C6b is preceded by drawn angles C6c is approximated, but the inverted chevrons all show a different angle. C9: 'L2' is encircled. D7a and D7b are represented by drawn lines, slightly tilting. D7c and D7d are represented by drawn lines with a slight anglearound the middle.

Tracklist :

A1. I. Peace Three 3:08
. II. Signal Generators
. A. Sine Waveform
A2a. 1. Slow-Motion Audible Example 0:05
A2b. 2. Composition 0:50
A2c. 3. Harmonic Synthesis 0:33
A2d. 4. Non-Harmonic Synthesis 0:37
. B. Sawtooth Waveform
A3a. 1. Slow-Motion (Negative- And Positive-Going) 0:12
A3b. 2. Composition 0:34
. C. Rectangular Waveform
A4a. 1. Slow-Motion Audible Example (1/8-1/2) 0:28
A4b. 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
. D. Triangular Waveform
A5a. 1. Slow-Motion Audible Example 0:05
A5b. 2. Composition 0:20
. -
A6. E. White Sound Composition 0:13
. III. Control Generators
A7a. A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
A7b. B. Sequential Voltage Sources. Composition 1:55
. IV. Frequency Modulation
. A. Keyboard Control
B1a. 1. 12-Tone 0:32
B1b. 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
B1c. 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
B1d. 4. Portamento 0:23
. -
B2. B. Ribbon Control 0:30
. C. Periodic
B3a. 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
B3b. 2. Sine-Higher Frequency 0:27
B3c. 3. Sawtooth-Swept 0:38
B3d. 4. Rectangular 1/2-Swept L2 0:32
B3e. 5. Triangular-Swept 0:31
. D. Periodics Combined
B4a. 1. 3 Square Waves At Different Frequencies 0:28
B4b. 2. 3 Triangular Waves At Different Frequencies 0:37
B4c. 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
. -
B5. E. White Sound 0:12
. F. Transient
B6a. 1. Up An Octave, Back To Pitch 0:17
B6b. 2. Up A 3rd, Back To Pitch 0:07
B6c. 3. Down An Octave, Back To Pitch 0:09
B6d. 4. Down A 3rd, Back To Pitch 0:13
. V. Amplitude Modulation
C1. A. Keyboard 0:13
C2. B. Ribbon Controller 0:10
. C. Periodic
C3a. 1. Tremolo 0:25
C3b. 2. Sine-Higher Frequencies (S Sweeping S) 0:47
C3c. 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
C3d. 4. Rectangular-L2 Swept 0:28
C3e. 5. Triangular-Swept 0:50
. D. Periodics Combined
C4a. 1. 4 Square 0:44
C4b. 2. 3 Triangular 0:23
C4c.