Back From Samoa - the Angry Samoans LP BLUE VINYL
$
37
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Description
LP NM
Jacket NM-
Subway Records
Biography by Jason AnkenyAlong with X, Black Flag, Fear, and the Circle Jerks, the savagely satirical Angry Samoans rode the first wave of Los Angeles punk. Formed in Van Nuys, CA, in the summer of 1978, the band was founded by singers and guitarists "Metal" Mike Saunders and Gregg Turner, a pair of erstwhile rock critics who'd previously teamed with fellow writer Richard Meltzer in the group Vom. After considering names like the Egyptians and the Eigen Vectors (a mathematical term — Turner later became a math professor), they settled on the Angry Samoans, enlisted Saunders' brother Kevin on guitar, bassist Todd Homer, and drummer Bill Vockeroth, and initially set out as a Dictators cover band.
Soon, Saunders and Turner began writing original material, drawing influence from the Velvet Underground, the Sonics, the 13th Floor Elevators, and garage rock. After honing their primitive and increasingly thrashy sound at a series of surreal gigs (including sets at the Camarillo State Mental Hospital and a lunchtime show at Santa Monica High School, where MC Meltzer asked if any "heroin addicts" were in the audience), the Samoans — substituting guitarist P.J. Galligan for Kevin Saunders — debuted in 1980 with the EP Inside My Brain, highlighted by "Get Off the Air," their pointed swipe at KROQ DJ Rodney Bingenheimer and the L.A. musical community.
Two years later, they resurfaced with Back from Samoa, featuring titles like "They Saved Hitler's Co*k," "Tuna Taco," and "My Old Man's a Fatso." Soon, the bandmembers grew disenchanted with the entire punk culture, and they spent the next several years largely in a dormant state: guitarist Steve Drojensky replaced Kevin Saunders in 1984, Vockeroth went on hiatus, and Jeff Dahl temporarily stepped in for "Metal" Mike in 1985, but by and large the group laid low until 1987's Yesterday Started Tomorrow. Problems with their label and internal differences led the Angry Samoans to disband after recording 1988's STP Not LSD.
In 1991, "Metal" Mike issued a solo EP, Plays the Hits of the '90s; in 1994, Turner released his own album, Santa Fe, and later fronted Gregg Turner & the Blood-Drained Cows. Homer, meanwhile, resurfaced in the neo-psychedelic outfit Mooseheart Faith Stellar Groove Band. By the mid-'90s, "Metal" Mike was also fronting a new Samoans lineup, which still included longtime mainstay Vockeroth as well as guitarists Alison Wonderslam and Mark Byrne, and bassist Adrienne Harmon. Saunders and Vockeroth have continued to anchor the Samoans as the band has experienced further lineup changes in the new millennium; as of 2009, Matt "Malice" Vicknair had joined as the group's bassist. The Angry Samoans' infrequent performances during the 2000s (generally once a month in California, although there have also been a few brief European tours) remain a vital link to punk's past.
RECORD GRADING Based On Goldmine Grading Standards:
Near Mint (NM): A nearly perfect record. There may be one or two small inaudible defects. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other sights of slight handling. An LP jacket should have no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either.
Near Mint Minus (NM-): A record that should play mint but has a few slight visible marks. The album will have as much luster as an NM, there just may be some superficial scuffs from the sleeve or very light hairlines that shouldn't be audible. An NM- album cover subjectively fits somewhere in between VG+ and NM.
Very Good Plus (VG+): A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don t significantly affect play. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. 45 Picture sleeves will have some slight wear, lightly turned-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
Very Good (VG): Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, just two or three of them.
Good (G), Good Plus (G+): Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play though without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the subject.
Poor (P), Fair (F): Below good. imperfections will be described.
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