(BOBBI MARCHINI-Show & Tell/Voodoo Woman)-Duck/Tamam Shud/Tully/Fanny Adams-E5-7

	A$		40
	$		31

DESCRIPTION ITEM: VINYL SINGLE -45rpm 7”
ARTIST: BOBBI MARCHINI
TRACKS: Show & Tell/Voodoo Woman
COUNTRY PRINTED: OZ
VINYL: (Grade at NEAR MINT)
LABELS: (Grade at MINT)
COMMENT: MILESAGO
The soulful, gutsy voice of Bobbi Marchini was a familiar sound on the healthy Sydney concert and disco circuit during the early 70s, and she was in demand as a session singer as well. Regrettably, she had little opportunity to show her vocal skills to the full, and her discography only hints at her true power as a singer -- her performances on the Duck LP are probably the best extant examples of her work -- and it's also unfortunate that her professional career was so short, lasting only around 5 years.

Bobbi (who was born Roberta Turnbull) grew up in Tasmania and left home at 14; for the next few years she performed with various bands in and around Hobart, where she soon earned a reputation as the best female rock singer in the state. She eventually moved to Sydney in 1971, aged just 21, where she joined soul-rock band Hunger. At that time the group had also just been joined by leading Sydney guitarist-composer John Robinson. John had been the founder member of Blackfeather, whose original lineup -- Robinson, Leith Corbett and Mike McCormack -- had come direct from the Dave Miller Set in early 1970, with the addition of singer Neale Johns. After several lineup changes they recorded their acclaimed album At The Mountains Of Madness and the hit single Seasons Of Change. By mid-'71 after numerous lineup changes the band consisted of Johns, Robinson, original DMS bassist Harry Brus and drummer Steve Webb, but it collapsed messily in August 1971 when Neale Johns was sacked. Robinson and the other members briefly continued as Blackfeather, but Johns set up a rival version of the band with bassist Warren Ward , drummer Jim Penson , guitarist Zac Zytnick (ex-Tamam Shud) and pianist Paul Wylde. Johns also took legal action to prevent Robinson from using the Blackfeather name and unfortunately for John, Hary and Steve, he was successful -- unbeknownst to them, former Blackfeather agent Peter Conyngham (of Nova Agencies) had registered the name and owned the rights to it. Johns took it over and the 'new' Blackfeather had major success in '72 with the single Boppin' The Blues and the an album of the same name. The group continued through many incarnations for several more years.

Left high and dry by the Blackfeather debacle, Robinson joined Hunger, who were at the time the house band at Jonathon's Disco in Sydney, and shortly afterward he recruited Bobbi, newly arrived from Tasmania, as lead singer.

In early '72 several Hunger members hooked up with producer-singer-songwriter G.Wayne Thomas, who had recently made his name with production and songs for the hugely successful MORNING OF THE EARTH soundtrack. Bobbi, John and Steve became the core a new "supergroup" called Duck, with the lineup completed renowned jazzer and session pianist Bobby Gebert (who worked with many well-known rock bands including Tully), bassist Teddy Toi (ex-Aztecs, Fanny Adams, Wild Cherries and percussionist Larry Duryea (ex Tamam Shud.

Thomas originally intended Duck as a 'studio-only' project, featuring only cover versions of songs by major overseas acts. No doubt this was to maximise his own earnings on the album (and presumably the group were only paid session rates). They recorded 16 tracks at Melbourne's TCS Studios, although only 12 were eventually released. Singer Jon English (ex-Sebastian Hardie) performed lead vocals on several songs, alternating with Bobbi. The resulting LP, Laid, released in July 1972, was a mixed bag, but included some strong tracks including Neil Young's Southern Man, Bill Withers' Ain't No Sunshine, Frank Zappa's Dog Breath and Nick Gravenites' Buried Alive in the Blues. Two Duck singles were issued -- the first, Sweet Inspiration/Southern Man came out before the LP in May 1972, followed by their version of Paul McCartney's Maybe I'm Amazed b/w The Man in Me in September. Encouraged by the results of the project, the core members of the band decided to become a permanent outfit and hit the boards. But by the time they premiered as a live act, Jon English was already ensconced as 'Judas' in Harry M. Miller's production of JESUS CHRIST SUPERSTAR so his place was taken by former Wild Cherries lead singer Danny Robinson for touring

. Guitarist Russell Smith (Company Caine, Mighty Kong) also toured with them.

According to contemporary reports, the group suffered from the all-too-familiar management woes, and both Bobbi and and John have confirmed that the group's relationship with G. Wayne Thomas was part of the problem. Clearly this was not an isolated incident, since it is known that the members of Tamam Shud, who featured prominently on the Morning Of The Earth soundtrack, were never paid for their contributions to that album and have never seen a cent from it to this day. When Bobby fell ill in late 1972 she went into hospital for an appendectomy and when she came out, Duck had folded.

In early '73 Bobbi -- like her friend and colleague Allison McCallum -- came to the attention of flamboyant English impresario Simon Napier-Bell. Under his guidance she signed with Alberts and cut the first of a string of pop-soul singles for Albert Productions. Working My Way Back To Youb/w I've Found My Way was first in March '73 (note: the A-side was an original Vanda-Young song, not the Spinners classic); next came Show And Tell / Voodoo Woman in November. Her 1974 releases included You're The Hand That Feeds My Love / London Town in March '74 and Home / I Love You Lord in August. While they were all well-made records, produced by the winning Vanda-Young team, Albert's gave relatively little attention to their female artists and none save Cheetah and Allison McCallum had any significant chart success. However they did serve as Bobbi's calling card for prestige engagements as a sought-after backing vocalist.

In October '74, Bobbi joined Allison and Janice Slater in the cheekily-named Hooter Sisters to release the one-off double-cover single, So Tough / To Know Him Is To Love Him. Bobbi's other notable session contributions include backing vocals on Abigail's Top Ten 1973 hit Je T'Aime, the classic La De Das '73 LP Rock & Roll Sandwich, work on 1973's Survival's A Song by folkster Graham Lowndes and on Pity For The Victim, the 1974 solo release from John Robinson, and which featured most of the members of Duck. She continued performing until 1976, when she left Australia, never to return. In a recent e-mail to us Bobbi (who now lives in Europe) commented:

"I left Australia in '76 and settled on a Greek island in the 80s. It was impossible for me to contemplate a lifetime of clubs (RSLs etc), so I bit the bullet and left. It was very hard, and strange not to be singing at first and I still miss it, but ..."

Bobbi has generously offered MILESAGO the opportunity to talk further with her, and we will certainly pursue this in the near future and expand this modest feature. It's a measure of the affection with which such performers view that amazing early-70s Aussie musical boom, when Bobbi observed: "It is very important that what we all achieved back then be recognised by the ones coming along behind us. Do you remember the terrible equipment? The Cheetah Room? Jonathons?"

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
LABEL: New condition with no surface marks or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
LABEL: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
LABEL: Slight wear.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
LABEL: Noticeable wear. Slight writing/ stains.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
LABEL: Noticeable wear. Much writing/ stains.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
LABEL: Major tears, wearing, writing & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
LABEL: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

BULK POSTAGE SAVINGS

WITHIN AUSTRALIA

For 1x 7” single/EP: ALL AUSTRALIAN STATES=Refer to Post calculator or see above.

For the 2nd 7” single/EP add $0.95
For the 3rd 7” single/EP add $0.85
For the 4th 7” single/EP add $0.75
For 5 or more 7” singles/EPs contact/email me for Post Cost.

NOTE This NEW post cost starts in April 2015 & includes all 7” singles/EPs listed prior to this date. I will make manual adjustments to the invoice to reflect this NEW post cost.

OUTSIDE AUSTRALIA

Overseas items need to be REGISTERED and this cost is included in the basic post cost on your invoice.

POST COSTS:
Prices below are for REGISTERED POST
Prepaid Padded Bags Up to 500g

(For 1, 2, 3, 4, 5, 6, or 7) 7” Singles/EPs (ie. Up to 500g)
Go to the Post Calculator to determine the cost to your country.

PAYMENT METHOD

WITHIN AUSTRALIA
Preferred Payment methods…
Internet Bank Deposit
Money Order,
Personal Cheque (waiting period 5 days till cleared)
Paypal in $AUD

OUTSIDE AUSTRALIA
PayPal in $AUD.

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