BILL HALEY+COMETS STAGE SHOW ORIG'56 DECCA MONO LP NICE
  $   158

 


$ 158 Sold For
Apr 17, 2010 Sold Date
Apr 10, 2010 Start Date
$   20 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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·       BILL HALEY AND THE COMETS – ROCK ‘N’ ROLL STAGE SHOW – ORIGINAL 1958 DECCA RECORDS MONO LP DL-8345

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL BLACK DECCA LABEL WITH SILVER PRINT.

 

·       DEEP GROOVE PRESSING

 

·       FLAT EDGE PRESSING

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       THICK CARDBOARD COVER, AMERICAN STYLE.

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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Wow -- this is such a good, fun record that it's a crying shame that it never figured larger in Bill Haley's reputation or legacy. Rock 'N' Roll Stage Show was the first long-player by Bill Haley & His Comets that was conceived as an album, as opposed to being a collection of single sides gathered together. The 12 numbers were recorded in three sessions (six of them in one day) during the last week of March 1957 and included five instrumentals, all of them (like virtually the whole album) originals by the bandmembers. Haley and the band had obviously figured out the connection between having hits with original songs and earning really big money, and at this stage of the game they weren't bad at coming up with material; if there's nothing here as memorable as "Shake, Rattle & Roll," there's also little that's less than first-rate, and certainly as good as anything on the early albums by, say, Chuck Berry (who had yet to release an LP until 1957), as the members rip and surge their way through numbers like the hot, smooth "Rudy's Rock," a great showcase for saxman Rudy Pompilli; the looser, more playful "Goofin' Around"; the searing "Blue Comet Blues"; or the pounding "Calling All Comets." What's more, steel guitarist Billy Williamson turns in a killer vocal performance (broken up by a soaring sax and guitar break) on "Hide and Seek," which is very much in the running for the honor of best unknown Bill Haley track. And "Hey Then, There Now" isn't far behind. Even the presence of the Comet Trio on "Tonight's the Night" -- an original co-authored by Haley that owes a tiny bit to the Andrews Sisters song of the same name -- doesn't detract, as Frannie Beecher's hot guitar noodles around the vocal group and Al Rex's bass keeps a rocking beat. Haley's cover of "Choo Choo Ch' Boogie" is bleached out compared with Louis Jordan's wartime rendition, but it isn't bad for a cover and is comparable to his version of "Shake, Rattle & Roll." It's only on the products of the last session, "A Rockin' Little Tune" and "Rockin' Through the Rye," that the inspiration starts running a bit dry; they're just two of 12 songs, not enough to hurt this album, though they showed the beginning of a trailing off of Haley's string.

 

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

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·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

 

(d)          This is the original flat edge pressing

 

(e)           The record comes in a poly-lined stock inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

 

(f)            Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.

 

(g)          True Stereo copies of this album are NOT known to exist.

 

(h)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS ABOUT VERY GOOD+ (VG+)

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has all three seams (top, bottom and spine) partially split,  as follows:

-        Top seam: between 4 and 6 inches  / 10 to 15 centimeters.

-        Bottom seam: between 2 and 4 inches  / 5 to 10 centimeters.

-        Spine: between 4 and 6 inches  / 10 to 15 centimeters.

 

-        Cover has some visible fraying/tattering on all three seams

 

-        Cover has three corners slightly worn / dinged / bent (nothing significant)

 

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)

 

-        The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

 

-        Cover shows some light yellowing on both sides, apparently from aging.

 

-        Cover has a few tiny wrinkles along the spine

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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