BIG MAMA THORNTON IN EUROPE VERY RARE ORIG '66 ARHOOLIE STEREO LP IN SHRINK N/M

$

51

WE CURRENTLY HAVE   NEARLY 1,000   LISTED ITEMS

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·       BIG MAMA THORNTON with BUDDY GUY, SHAKEY HORTON , FRED McDOWELL AND EDDIE BOYD– BIG MAMA THORNTON IN EUROPE – ORIGINAL 1965 ARHOOLIE RECORDS STEREO LP F-1028

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED AND BLACK ARHOOLIE LABEL WITH GUITAR LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       COVER IS STILL PARTIALLY (ABOUT 70%) IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Willie Mae "Big Mama" Thornton was part of the American Folk Blues Festival revue which toured Europe in 1965, so when it was time to record this session on October 20 at Wessex Studio in London, she had a crack impromptu blues band at her disposal, including a young Buddy Guy on guitar, Fred Below on drums, Eddie Boyd on piano and organ, and Jimmie Lee Robinson on bass. Walter "Shakey" Horton added his harmonica on a trio of tracks, and Thornton also sat down and recorded three powerful songs accompanied only by Mississippi Fred McDowell's elegant slide guitar playing. Thornton added her own harmonica and drums to a few tracks, as well, and the end result is a very special blues session that shows off Thornton's multifaceted and expansive stage presence. The original LP from the session came out that same year from Chris Strachwitz's Arhoolie Records.  Among the many highlights are a spooky, atmospheric reading of Willie Dixon's "Little Red Rooster," the seemingly autobiographical "Unlucky Girl," which Thornton wrote with Jack DuPree, and a pair of takes of her signature song, Jerry Leiber and Mike Stoller's "Hound Dog." Also worth noting is Thornton's gutbucket drumming on "Session Blues" and the raggedly perfect "I Need Your Love." The showstoppers, though, are the three songs she does with McDowell, whose gorgeous slide playing sets up some of Thornton's most nuanced and measured singing on "My Heavy Load," "School Boy," and the ominous and stunning "Chauffeur Blues." The album ends with Strachwitz interviewing Thornton, and the whole set provides a perfect introduction to this spunky and innovative blues artist.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)            The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS STILL IN ITS ORIGINAL ►SHRINK WRAP;    (A PIECE OF SHRINK WRAP IS MISSING);  HOWEVER, WE ARE UNABLE TO GRADE IT NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS VG++

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has all three seams (top, bottom and spine) partially split,  as follows:

-         Top seam: between 2 and 4 inches  / 5 to 10 centimeters.

-         Bottom seam: less than 1 inch / 2.5 centimeters.

-         Spine: between 1 and 2 inches  / 2.5 to 5 centimeters.

-         Cover has some visible fraying/tattering on all three seams

-         Cover has three corners slightly worn / dinged / bent.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover has some tiny, faint writing on its back side (a microscopic price code written in one corner)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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