BEETHOVEN Volume 3 (Late String Quartets) 4LP NM/NM JUILLIARD String Quartet
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Description
Ludwig van Beethoven, Juilliard String Quartet ?– The Complete String Quartets - Volume 3- The Late String Quartets Label: CBS Masterworks ?– D4 37873 Format: 4 × Vinyl, LP Country: Germany Released: 1983 Genre: Classical Style: Romantic Tracklist Quartet No. 12 In E-Flat Major, Op. 127 A1 I. Maestoso - Allegro (Op. 127) A2 II. Adagio, Ma Non Troppo E Molto Cantabile A3 III. Scherzando Vivace B1 IV. Finale Quartet No. 13 In B-Flat, Op. 130 B2 I. Adagio Ma Non Troppo - Allegro (Op. 130) C1 II. Presto C2 III. Andante Con Moto Ma Non Troppo C3 IV. Alla Danza Tedesca. Allegro Assai C4 V. Cavatina. Adagio Molto Espressivo D1 Fugue For String Quartet In B Flat Major ("Grosse Fuge"), Op. 133 Quartet No. 13 In B-Flat, Op. 130 (Conclusion) D2 VI. Finale. Allegro (Op. 130) Quartet No. 14 In C-Sharp Minor, Op. 131 E1 I. Adagio, Ma Non Troppo E Molto Espressivo (Op. 131) E2 II. Allegro Molto Vivace E3 III. Allegro Moderato E4 IV. Andante Ma Non Troppo E Molto Cantabile F1 V. Presto F2 VI. Adagio Quasi Un Poco Andante F3 VII. Allegro Quartet No. 15 In A Minor, Op. 132 F4 I. Assai Sostenuto - Allegro (Op. 132) F5 II. Allegro Ma Non Tanto G1 III. Canzona Di Ringraziamento. Molto Adagio G2 IV. Alla Marcia, Assai Vivace G3 V. Allegro Appassionato Quartet No. 16 In F Major, Op. 135 H1 I. Allegretto (Op. 135) H2 II. Vivace H3 III. Lento Assai, E Cantabile E Tranquillo H4 IV. Grave Ma Non Troppo Tratto - Allegro Credits Cello – Joel Krosnick Composed By – Ludwig van Beethoven Engineer – Bud Graham Engineer [Re-Mix] – John Johnson (3) Supervised By [Remote Technical Supervisor] – Hank Altman Viola – Samuel Rhodes Violin [1] – Robert Mann (4) Violin [2] – Earl Carlyss Notes Recorded at the Coolidge Auditorium of The Library of Congress, Washington, D.C. Recorded digitally using the Sony PCM 1610 & CBS custom-built console designed specifically for these recordings. Microphones used: AKG C-422, Neumann KM-84
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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